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内容由Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk提供。所有播客内容(包括剧集、图形和播客描述)均由 Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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The Sound of Change (2/6) - Philharmonia Orchestra

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Manage episode 235291176 series 97512
内容由Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk提供。所有播客内容(包括剧集、图形和播客描述)均由 Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

The composers of the Weimar Republic provided a soundtrack for the events that unfolded in Germany between 1919 and 1933. During this tumultuous, exciting time, composers such as Kurt Weill, Paul Hindemith and Alban Berg thrived and produced works that still thrill us today. The sounds of cabaret and jazz infused Weill’s Threepenny Opera while Paul Hindemith and Alban Berg took a more objective approach, creating music to “reach out beyond political boundaries.” The influence of Weimar was so infectious that a young Shostakovich, based in Russia, enriched his own music with its sounds, as heard in his jazzy ballet, A Golden Age.

These six films form the introduction to the Philharmonia’s concert series Weimar Berlin: Bittersweet Metropolis, which opens 9 June at Southbank Centre, London: www.philharmonia.co.uk/weimar_berlin

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100集单集

Artwork
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Manage episode 235291176 series 97512
内容由Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk提供。所有播客内容(包括剧集、图形和播客描述)均由 Philharmonia Orchestra and (Philharmonia Orchestra) podcast@philharmonia.co.uk 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

The composers of the Weimar Republic provided a soundtrack for the events that unfolded in Germany between 1919 and 1933. During this tumultuous, exciting time, composers such as Kurt Weill, Paul Hindemith and Alban Berg thrived and produced works that still thrill us today. The sounds of cabaret and jazz infused Weill’s Threepenny Opera while Paul Hindemith and Alban Berg took a more objective approach, creating music to “reach out beyond political boundaries.” The influence of Weimar was so infectious that a young Shostakovich, based in Russia, enriched his own music with its sounds, as heard in his jazzy ballet, A Golden Age.

These six films form the introduction to the Philharmonia’s concert series Weimar Berlin: Bittersweet Metropolis, which opens 9 June at Southbank Centre, London: www.philharmonia.co.uk/weimar_berlin

  continue reading

100集单集

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