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R.U. Sirius: Mondo 2024

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Manage episode 445210656 series 2292604
内容由Plutopia News Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Plutopia News Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode of the Plutopia podcast, writer and cyberculture celebrity R.U. Sirius discusses the evolution of Mondo 2000, a groundbreaking magazine he co-founded that blended tech, art, and psychedelics. Sirius reflects on its origins, transitioning from High Frontiers and Reality Hackers, exploring how psychedelic culture intertwined with early tech innovation. He recounts Mondo 2000’s unique style, challenges with censorship, and how it navigated the countercultural landscape. Sirius also shares anecdotes about collaborations with figures like Timothy Leary, the cyberpunk movement, and the media’s shift to digital culture.

I was watching a show called Science 2000. And it was all the most recent tech and science at that point in 1988 or 1989. And it was supported by advertising for something called Furnishing 2000. And I floated into Queen Mu’s bedroom and I said, “Let’s change the name and use 2000 to sell stuff.” And she immediately said Mondo because somehow she was imagining what the logo would look like. And she thought that would make for a really good logo, which was true. So there you have a rather trippy but a very opiated origin of becoming Mondo 2000.

Coming soon from R.U. Sirius in collaboration with Shira Chess: Freaks in the Machine: Mondo 2000 in Late 20th Century Tech Culture. With a foreword by Grant Morrison.

  continue reading

27集单集

Artwork
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Manage episode 445210656 series 2292604
内容由Plutopia News Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Plutopia News Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode of the Plutopia podcast, writer and cyberculture celebrity R.U. Sirius discusses the evolution of Mondo 2000, a groundbreaking magazine he co-founded that blended tech, art, and psychedelics. Sirius reflects on its origins, transitioning from High Frontiers and Reality Hackers, exploring how psychedelic culture intertwined with early tech innovation. He recounts Mondo 2000’s unique style, challenges with censorship, and how it navigated the countercultural landscape. Sirius also shares anecdotes about collaborations with figures like Timothy Leary, the cyberpunk movement, and the media’s shift to digital culture.

I was watching a show called Science 2000. And it was all the most recent tech and science at that point in 1988 or 1989. And it was supported by advertising for something called Furnishing 2000. And I floated into Queen Mu’s bedroom and I said, “Let’s change the name and use 2000 to sell stuff.” And she immediately said Mondo because somehow she was imagining what the logo would look like. And she thought that would make for a really good logo, which was true. So there you have a rather trippy but a very opiated origin of becoming Mondo 2000.

Coming soon from R.U. Sirius in collaboration with Shira Chess: Freaks in the Machine: Mondo 2000 in Late 20th Century Tech Culture. With a foreword by Grant Morrison.

  continue reading

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