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RCS vol. 126 | Charo Oquet

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Manage episode 244808824 series 2292352
内容由Rocking Chair Sessions提供。所有播客内容(包括剧集、图形和播客描述)均由 Rocking Chair Sessions 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
I was born in the center of the Caribbean, where, according to the writer Junot Diaz, the fukú originated, Santo Domingo, where waves and palm trees were always saying something to me with their particular rhythm. Then, looking for new lights, I settled in the city of Miami, where the coast still wanted to talk to me, to offer me its insular imaginary, from the edge, the border. In my work, I explore the poetics related to the construction of a new imaginary in the contemporary Caribbean through video, photography, performance, painting and installation, crisscrossing it with my family history. I focus on ritual, and on the idea that we can eradicate the silences in which these contexts and imagery have been constructed. I call my practice integrating Afro-Caribbean folk traditions and participatory social practice “Art of Uncertainty.” http://www.charooquet.com http://www.edgezones.org
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151集单集

Artwork
icon分享
 
Manage episode 244808824 series 2292352
内容由Rocking Chair Sessions提供。所有播客内容(包括剧集、图形和播客描述)均由 Rocking Chair Sessions 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
I was born in the center of the Caribbean, where, according to the writer Junot Diaz, the fukú originated, Santo Domingo, where waves and palm trees were always saying something to me with their particular rhythm. Then, looking for new lights, I settled in the city of Miami, where the coast still wanted to talk to me, to offer me its insular imaginary, from the edge, the border. In my work, I explore the poetics related to the construction of a new imaginary in the contemporary Caribbean through video, photography, performance, painting and installation, crisscrossing it with my family history. I focus on ritual, and on the idea that we can eradicate the silences in which these contexts and imagery have been constructed. I call my practice integrating Afro-Caribbean folk traditions and participatory social practice “Art of Uncertainty.” http://www.charooquet.com http://www.edgezones.org
  continue reading

151集单集

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