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内容由Scratching the Surface and Jarrett Fuller提供。所有播客内容(包括剧集、图形和播客描述)均由 Scratching the Surface and Jarrett Fuller 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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165. Alicia Cheng (Originally aired 10/28/20)

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Manage episode 429278159 series 1260821
内容由Scratching the Surface and Jarrett Fuller提供。所有播客内容(包括剧集、图形和播客描述)均由 Scratching the Surface and Jarrett Fuller 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
We're taking the summer off and will be republishing some of our favorite episodes from the archives through August. This episode originally aired October 28, 2020. — Alicia Cheng is a founding partner of the New York design studio MGMT and the author of the book This Is What Democracy Looked Like: A Visual History of the Printed Ballot. She previously worked as a designer for Method, was a co-design director at the Cooper Hewitt, and is currently an external critic for the MFA program at RISD. In this episode, Jarrett and Alicia talk about how the design of ballots can teach us about the United States’s uneasy relationship with voting, mixing design history with American history, and how research feeds her design practice. Alicia is currently the design director at The Metropolitan Museum of Art in New York City. — Links from this episode can be found at scratchingthesurface.fm/165-alicia-cheng. — If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast
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Manage episode 429278159 series 1260821
内容由Scratching the Surface and Jarrett Fuller提供。所有播客内容(包括剧集、图形和播客描述)均由 Scratching the Surface and Jarrett Fuller 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
We're taking the summer off and will be republishing some of our favorite episodes from the archives through August. This episode originally aired October 28, 2020. — Alicia Cheng is a founding partner of the New York design studio MGMT and the author of the book This Is What Democracy Looked Like: A Visual History of the Printed Ballot. She previously worked as a designer for Method, was a co-design director at the Cooper Hewitt, and is currently an external critic for the MFA program at RISD. In this episode, Jarrett and Alicia talk about how the design of ballots can teach us about the United States’s uneasy relationship with voting, mixing design history with American history, and how research feeds her design practice. Alicia is currently the design director at The Metropolitan Museum of Art in New York City. — Links from this episode can be found at scratchingthesurface.fm/165-alicia-cheng. — If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast
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