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内容由Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound提供。所有播客内容(包括剧集、图形和播客描述)均由 Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 9: Nate Wooley

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Manage episode 295853344 series 2917650
内容由Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound提供。所有播客内容(包括剧集、图形和播客描述)均由 Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this August 2015 conversation with Ken Vandermark, Nate Wooley discusses growing up playing in a big band on the Oregon coast, developing a musical language within technical limitations, aesthetic differences between Chicago and New York music communities, and the challenges of interpreting music by Wynton Marsalis, Anthony Braxton, and Éliane Radigue.

This episode is sponsored by Astral Spirits Records (astralspirits.bandcamp.com): “The New Wave of Heavy Free Jazz since September 2014.”

  continue reading

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Manage episode 295853344 series 2917650
内容由Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound提供。所有播客内容(包括剧集、图形和播客描述)均由 Experimental Sound Studio & Catalytic Sound, Experimental Sound Studio, and Catalytic Sound 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this August 2015 conversation with Ken Vandermark, Nate Wooley discusses growing up playing in a big band on the Oregon coast, developing a musical language within technical limitations, aesthetic differences between Chicago and New York music communities, and the challenges of interpreting music by Wynton Marsalis, Anthony Braxton, and Éliane Radigue.

This episode is sponsored by Astral Spirits Records (astralspirits.bandcamp.com): “The New Wave of Heavy Free Jazz since September 2014.”

  continue reading

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