The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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内容由Audioboom and Somerset House提供。所有播客内容(包括剧集、图形和播客描述)均由 Audioboom and Somerset House 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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The Process: The Darker Side of Cute with Sean-Kierre Lyons
Manage episode 412086566 series 1486662
内容由Audioboom and Somerset House提供。所有播客内容(包括剧集、图形和播客描述)均由 Audioboom and Somerset House 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
How can cuteness be used to sugar coat difficult messages?
In this episode we join another artist commissioned for the Somerset House exhibition CUTE, Brooklyn based Sean-Kierre Lyons, to explore how cute characters have been used to tackle sensitive ideas from the middle ages on. In her practice, Sean-Kierre brings the grotesque and the cute together to approach challenging themes. Much of her work is inspired by cartoon animation, specifically its roots in racist caricature. For her Somerset House installation Sean-Kierre created a dragon-like gargoyle called Benevolence, one of nine protector gods she is developing, inspired by the 90s cartoon ‘Gargoyles’
Here Sean-Kierre exposes the double edged sword of cute, looking at how cute characters have been used to mask malicious intent, as in the case of the animated characters used in war propaganda, as well as to deliver moral reminders, as far back as medieval masonry. She talks to animator of the Big Blue, Gyimah Gariba about how he uses cuteness to demonstrate the vulnerability of earth’s climate and art historian Dr Janetta Rebold Benton explains how gargoyles could be thought to be a form of cartoons of the middle ages.
Contains strong language from the start.
CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024.
Principal Partner: Sanrio
Producer - Alannah Chance
Exec Producer - Eleanor Ritter-Scott
Series presenter - Laurent John
In this episode we join another artist commissioned for the Somerset House exhibition CUTE, Brooklyn based Sean-Kierre Lyons, to explore how cute characters have been used to tackle sensitive ideas from the middle ages on. In her practice, Sean-Kierre brings the grotesque and the cute together to approach challenging themes. Much of her work is inspired by cartoon animation, specifically its roots in racist caricature. For her Somerset House installation Sean-Kierre created a dragon-like gargoyle called Benevolence, one of nine protector gods she is developing, inspired by the 90s cartoon ‘Gargoyles’
Here Sean-Kierre exposes the double edged sword of cute, looking at how cute characters have been used to mask malicious intent, as in the case of the animated characters used in war propaganda, as well as to deliver moral reminders, as far back as medieval masonry. She talks to animator of the Big Blue, Gyimah Gariba about how he uses cuteness to demonstrate the vulnerability of earth’s climate and art historian Dr Janetta Rebold Benton explains how gargoyles could be thought to be a form of cartoons of the middle ages.
Contains strong language from the start.
CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024.
Principal Partner: Sanrio
Producer - Alannah Chance
Exec Producer - Eleanor Ritter-Scott
Series presenter - Laurent John
76集单集
Manage episode 412086566 series 1486662
内容由Audioboom and Somerset House提供。所有播客内容(包括剧集、图形和播客描述)均由 Audioboom and Somerset House 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
How can cuteness be used to sugar coat difficult messages?
In this episode we join another artist commissioned for the Somerset House exhibition CUTE, Brooklyn based Sean-Kierre Lyons, to explore how cute characters have been used to tackle sensitive ideas from the middle ages on. In her practice, Sean-Kierre brings the grotesque and the cute together to approach challenging themes. Much of her work is inspired by cartoon animation, specifically its roots in racist caricature. For her Somerset House installation Sean-Kierre created a dragon-like gargoyle called Benevolence, one of nine protector gods she is developing, inspired by the 90s cartoon ‘Gargoyles’
Here Sean-Kierre exposes the double edged sword of cute, looking at how cute characters have been used to mask malicious intent, as in the case of the animated characters used in war propaganda, as well as to deliver moral reminders, as far back as medieval masonry. She talks to animator of the Big Blue, Gyimah Gariba about how he uses cuteness to demonstrate the vulnerability of earth’s climate and art historian Dr Janetta Rebold Benton explains how gargoyles could be thought to be a form of cartoons of the middle ages.
Contains strong language from the start.
CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024.
Principal Partner: Sanrio
Producer - Alannah Chance
Exec Producer - Eleanor Ritter-Scott
Series presenter - Laurent John
In this episode we join another artist commissioned for the Somerset House exhibition CUTE, Brooklyn based Sean-Kierre Lyons, to explore how cute characters have been used to tackle sensitive ideas from the middle ages on. In her practice, Sean-Kierre brings the grotesque and the cute together to approach challenging themes. Much of her work is inspired by cartoon animation, specifically its roots in racist caricature. For her Somerset House installation Sean-Kierre created a dragon-like gargoyle called Benevolence, one of nine protector gods she is developing, inspired by the 90s cartoon ‘Gargoyles’
Here Sean-Kierre exposes the double edged sword of cute, looking at how cute characters have been used to mask malicious intent, as in the case of the animated characters used in war propaganda, as well as to deliver moral reminders, as far back as medieval masonry. She talks to animator of the Big Blue, Gyimah Gariba about how he uses cuteness to demonstrate the vulnerability of earth’s climate and art historian Dr Janetta Rebold Benton explains how gargoyles could be thought to be a form of cartoons of the middle ages.
Contains strong language from the start.
CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024.
Principal Partner: Sanrio
Producer - Alannah Chance
Exec Producer - Eleanor Ritter-Scott
Series presenter - Laurent John
76集单集
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