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Dani Admiss – Sunlight Doesn’t Need a Pipeline

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Manage episode 378196712 series 2612610
内容由Sonic Acts提供。所有播客内容(包括剧集、图形和播客描述)均由 Sonic Acts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
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Artwork
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Manage episode 378196712 series 2612610
内容由Sonic Acts提供。所有播客内容(包括剧集、图形和播客描述)均由 Sonic Acts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

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