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Sonic Acts 2020: T. J. Demos – Beyond the End of the World

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Manage episode 261943668 series 2612610
内容由Sonic Acts提供。所有播客内容(包括剧集、图形和播客描述)均由 Sonic Acts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
SONIC ACTS ACADEMY 2020 T. J. Demos – Beyond the End of the World 22 February 2020 – De Brakke Grond, Amsterdam, The Netherlands Celebrated writer T. J. Demos rarely leaves a seat empty at his talks on politics, ecology and art, often attending to decoloniality within nature. His most recent book addresses the occlusions embedded in the academic use of the term ​‘Anthropocene’ (human-caused planetary change) in shielding problems as opposed to opening inroads for change made accessible by artists. This presentation discusses the ongoing research and exhibition project, Beyond the End of the World, directed by T. J. Demos of the Center for Creative Ecologies at University of California, Santa Cruz (beyond​.ucsc​.edu). In the wake of the end of multiple worlds, we already live in a post-apocalyptic present following countless genocides and colonialisms. With reference to diverse traditions of the oppressed, this year-long research project addresses what lies beyond dystopian catastrophism, past and present end-of-world narratives, and how we can imagine and cultivate radical futures of social justice and ecological flourishing. T. J. Demos is an award-winning writer and Professor of Visual Culture at University of California, Santa Cruz and Director of its Center for Creative Ecologies. He writes widely about contemporary art, global politics and ecology and is the author, most recently, of Against the Anthropocene: Visual Culture and Environment Today (2017) and Decolonizing Nature: Contemporary Art and the Politics of Ecology (2016). Demos co-curated Rights of Nature: Art and Ecology in the Americas, at Nottingham Contemporary in 2015 and organised Specters: A Ciné-Politics of Haunting, at Museo Nacional Centro de Arte Reina Sofía in Madrid in 2014. He is currently working on a Mellon-funded research, exhibition and book project dedicated to the questions: ​‘What comes after the end of the world?’ and ​‘How can we cultivate futures of social justice within capitalist ruins?’ #politicsandart #ecologyandart #anthropocene #future #experimental art
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Manage episode 261943668 series 2612610
内容由Sonic Acts提供。所有播客内容(包括剧集、图形和播客描述)均由 Sonic Acts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
SONIC ACTS ACADEMY 2020 T. J. Demos – Beyond the End of the World 22 February 2020 – De Brakke Grond, Amsterdam, The Netherlands Celebrated writer T. J. Demos rarely leaves a seat empty at his talks on politics, ecology and art, often attending to decoloniality within nature. His most recent book addresses the occlusions embedded in the academic use of the term ​‘Anthropocene’ (human-caused planetary change) in shielding problems as opposed to opening inroads for change made accessible by artists. This presentation discusses the ongoing research and exhibition project, Beyond the End of the World, directed by T. J. Demos of the Center for Creative Ecologies at University of California, Santa Cruz (beyond​.ucsc​.edu). In the wake of the end of multiple worlds, we already live in a post-apocalyptic present following countless genocides and colonialisms. With reference to diverse traditions of the oppressed, this year-long research project addresses what lies beyond dystopian catastrophism, past and present end-of-world narratives, and how we can imagine and cultivate radical futures of social justice and ecological flourishing. T. J. Demos is an award-winning writer and Professor of Visual Culture at University of California, Santa Cruz and Director of its Center for Creative Ecologies. He writes widely about contemporary art, global politics and ecology and is the author, most recently, of Against the Anthropocene: Visual Culture and Environment Today (2017) and Decolonizing Nature: Contemporary Art and the Politics of Ecology (2016). Demos co-curated Rights of Nature: Art and Ecology in the Americas, at Nottingham Contemporary in 2015 and organised Specters: A Ciné-Politics of Haunting, at Museo Nacional Centro de Arte Reina Sofía in Madrid in 2014. He is currently working on a Mellon-funded research, exhibition and book project dedicated to the questions: ​‘What comes after the end of the world?’ and ​‘How can we cultivate futures of social justice within capitalist ruins?’ #politicsandart #ecologyandart #anthropocene #future #experimental art
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