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内容由Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke提供。所有播客内容(包括剧集、图形和播客描述)均由 Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Fiona Apple - Fetch The Bolt Cutters

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Manage episode 311181815 series 3087264
内容由Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke提供。所有播客内容(包括剧集、图形和播客描述)均由 Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Fiona Apple never quite belonged to a specific scene. The closest she came was at the dawn of her career when her debut album Tidal arrived as the alternative rock wave reached its crest in 1996. Upon its release in 1999, When the Pawn drew attention for its emotional intensity, unconventional arrangements, and eccentric flair, elements that were central to her appeal in the next decades when she worked steadily and rigorously. As her output slowed -- it took her six years to deliver her third album, Extraordinary Machine, and another seven for its sequel, The Idler Wheel, to appear -- her reputation as a daring artist grew. The Idler Wheel and its 2020 successor Fetch the Bolt Cutters confirmed Apple took aural risks without abandoning her strengths as a singer/songwriter, a combination that helped her maintain a devoted cult following.

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Artwork
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Manage episode 311181815 series 3087264
内容由Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke提供。所有播客内容(包括剧集、图形和播客描述)均由 Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Fiona Apple never quite belonged to a specific scene. The closest she came was at the dawn of her career when her debut album Tidal arrived as the alternative rock wave reached its crest in 1996. Upon its release in 1999, When the Pawn drew attention for its emotional intensity, unconventional arrangements, and eccentric flair, elements that were central to her appeal in the next decades when she worked steadily and rigorously. As her output slowed -- it took her six years to deliver her third album, Extraordinary Machine, and another seven for its sequel, The Idler Wheel, to appear -- her reputation as a daring artist grew. The Idler Wheel and its 2020 successor Fetch the Bolt Cutters confirmed Apple took aural risks without abandoning her strengths as a singer/songwriter, a combination that helped her maintain a devoted cult following.

  continue reading

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