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内容由The Spectator and Spectator Out Loud提供。所有播客内容（包括剧集、图形和播客描述）均由 The Spectator and Spectator Out Loud 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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Joan Collins, Owen Matthews, Sara Wheeler, Igor Toronyi-Lalic and Tanya Gold
Manage episode 437283097 series 2651900
内容由The Spectator and Spectator Out Loud提供。所有播客内容（包括剧集、图形和播客描述）均由 The Spectator and Spectator Out Loud 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
On this week’s Spectator Out Loud: Joan Collins reads an extract from her diary (1:15); Owen Matthews argues that Russia and China’s relationship is just a marriage of convenience (3:19); reviewing The White Ladder: Triumph and Tragedy at the Dawn of Mountaineering by Daniel Light, Sara Wheeler examines the epic history of the sport (13:52); Igor Toronyi-Lalic looks at the life, cinema, and many drinks, of Marguerite Duras (21:35); and Tanya Gold provides her notes on tasting menus (26:07).
Presented and produced by Patrick Gibbons.
Presented and produced by Patrick Gibbons.
61集单集
分享
Manage episode 437283097 series 2651900
内容由The Spectator and Spectator Out Loud提供。所有播客内容（包括剧集、图形和播客描述）均由 The Spectator and Spectator Out Loud 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
On this week’s Spectator Out Loud: Joan Collins reads an extract from her diary (1:15); Owen Matthews argues that Russia and China’s relationship is just a marriage of convenience (3:19); reviewing The White Ladder: Triumph and Tragedy at the Dawn of Mountaineering by Daniel Light, Sara Wheeler examines the epic history of the sport (13:52); Igor Toronyi-Lalic looks at the life, cinema, and many drinks, of Marguerite Duras (21:35); and Tanya Gold provides her notes on tasting menus (26:07).
Presented and produced by Patrick Gibbons.
Presented and produced by Patrick Gibbons.
61集单集
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The Seen and the Unseen, hosted by Amit Varma, features longform conversations that aim to give deep insights into the subjects being discussed. Timeless and bingeworthy.
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
For thirty minutes each day, Pesca challenges himself and his audience, in a responsibly provocative style, and gets beyond the rigidity and dogma. The Gist is surprising, reasonable, and willing to critique the left, the right, either party, or any idea.
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continue reading
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continue reading
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