Artwork

内容由Chemould Prescott Road提供。所有播客内容(包括剧集、图形和播客描述)均由 Chemould Prescott Road 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Return of the Phantom Lady - Pushpamala N and Shireen Gandhy

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Manage episode 315775315 series 3281711
内容由Chemould Prescott Road提供。所有播客内容(包括剧集、图形和播客描述)均由 Chemould Prescott Road 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Chemould’s Director, Shireen Gandhy and artist Pushpamala N share a relationship that goes long before Gandhy became a gallerist.

In this episode, the pair speak about how S H Raza referred Pushpamala to Chemould introducing to the gallery an artist that emerged very distinctly as a sculptor, even making her mark as one, to eventually evolving into a photo-performance artist who was ready to push her work into other kinds of making.

Through the conversation, Pushpamala recalls the many influences and events in her life that have moulded her art-making practice into what it is today - from the Bombay riots, her early understanding of feminism, to politics finding a way to enter her work.

Formerly married to an eminent film theorist and being surrounded by cinema buffs to being captivated by Photo Romance and Film Noir, recreating movie scenes and characters: from ‘Fearless Nadia’, to exploring the vulnerability of the female heroine, Pushpamala and Gandhy talk about it all.

  continue reading

9集单集

Artwork
icon分享
 
Manage episode 315775315 series 3281711
内容由Chemould Prescott Road提供。所有播客内容(包括剧集、图形和播客描述)均由 Chemould Prescott Road 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Chemould’s Director, Shireen Gandhy and artist Pushpamala N share a relationship that goes long before Gandhy became a gallerist.

In this episode, the pair speak about how S H Raza referred Pushpamala to Chemould introducing to the gallery an artist that emerged very distinctly as a sculptor, even making her mark as one, to eventually evolving into a photo-performance artist who was ready to push her work into other kinds of making.

Through the conversation, Pushpamala recalls the many influences and events in her life that have moulded her art-making practice into what it is today - from the Bombay riots, her early understanding of feminism, to politics finding a way to enter her work.

Formerly married to an eminent film theorist and being surrounded by cinema buffs to being captivated by Photo Romance and Film Noir, recreating movie scenes and characters: from ‘Fearless Nadia’, to exploring the vulnerability of the female heroine, Pushpamala and Gandhy talk about it all.

  continue reading

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