Artwork

内容由Still Processing and The New York Times提供。所有播客内容(包括剧集、图形和播客描述)均由 Still Processing and The New York Times 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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America Has a Problem

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Manage episode 349006747 series 1785512
内容由Still Processing and The New York Times提供。所有播客内容(包括剧集、图形和播客描述)均由 Still Processing and The New York Times 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Today: The undoing of Kanye West. “We’re in deeply vile territory, and I can’t make intellectual sense of that,” Wesley Morris says about West, who now goes by Ye.

In 2004, when Ye released “College Dropout," he seemed to be challenging Black orthodoxy in ways that felt exciting and risky. But over the years, his expression of “freedom” has felt anything but free. His embrace of anti-Black, antisemitic and white supremacist language “comes at the expense of other people’s safety,” their humanity and their dignity, J Wortham says.

Wesley and J discuss what it means to divest from someone whose art, for two decades, had awed, challenged and excited you.

  continue reading

154集单集

Artwork

America Has a Problem

Still Processing

2,364 subscribers

published

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Manage episode 349006747 series 1785512
内容由Still Processing and The New York Times提供。所有播客内容(包括剧集、图形和播客描述)均由 Still Processing and The New York Times 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Today: The undoing of Kanye West. “We’re in deeply vile territory, and I can’t make intellectual sense of that,” Wesley Morris says about West, who now goes by Ye.

In 2004, when Ye released “College Dropout," he seemed to be challenging Black orthodoxy in ways that felt exciting and risky. But over the years, his expression of “freedom” has felt anything but free. His embrace of anti-Black, antisemitic and white supremacist language “comes at the expense of other people’s safety,” their humanity and their dignity, J Wortham says.

Wesley and J discuss what it means to divest from someone whose art, for two decades, had awed, challenged and excited you.

  continue reading

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