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内容由Controlled Weirdness提供。所有播客内容(包括剧集、图形和播客描述)均由 Controlled Weirdness 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 14 - Berlin Riots, Anarchy and Techno - special guest - Brandon Spivey

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Manage episode 390697871 series 3459509
内容由Controlled Weirdness提供。所有播客内容(包括剧集、图形和播客描述)均由 Controlled Weirdness 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Episode 14, the second part of my conversation with Brandon Spivey, an old friend and cultural provocateur, we delve into his experiences traveling to Europe in the mid-1980s. During this time, he actively participated in several riots in Berlin as a member of the Black Bloc—an anarchist organization committed to confronting governments and the banking system through direct action. Our discussion extends to his discovery of Dada art, particularly his appreciation for the works of George Grosz. Returning to London, we explore Brandon's visits to the 121 Centre in Brixton, along with various squatted venues and spaces. Throughout these encounters, he shares stories of culturally and politically significant individuals who left a lasting impact on him. Wrapping up our conversation, we touch upon his introduction to the harder techno scene in the 1990s. We also delve into the parties and clubs that influenced his early foray into music production, ultimately leading to his releases on underground techno labels. I asked Brandon to write a short description to describe himself and it is reproduced below
"Brandon Spivey is 56. Has a love of life, music , art and rebellion.
He has lived in a number of countries. Enjoyed many riots.
Hospitalised a number of authoritarian undesirables.
Written 'No Comment, The Defendants Guide to Arrest' .
He gave up drink and drugs in 1989 to focus on being a c#nt.
He has interest in all aspects of working class art, music and culture.
In summary:
Electronic music producer, Film Maker, Building worker and Trouble maker.
Interested in Musicology and Dadaist art.
A proud advocate of free speech and a supporter of peoples right to attack their oppressors.
He mocks identity politics bullshit and is proudly anarchist and a born anti authoritarian."

Support the show

https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/
Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt
Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

  continue reading

23集单集

Artwork
icon分享
 
Manage episode 390697871 series 3459509
内容由Controlled Weirdness提供。所有播客内容(包括剧集、图形和播客描述)均由 Controlled Weirdness 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Episode 14, the second part of my conversation with Brandon Spivey, an old friend and cultural provocateur, we delve into his experiences traveling to Europe in the mid-1980s. During this time, he actively participated in several riots in Berlin as a member of the Black Bloc—an anarchist organization committed to confronting governments and the banking system through direct action. Our discussion extends to his discovery of Dada art, particularly his appreciation for the works of George Grosz. Returning to London, we explore Brandon's visits to the 121 Centre in Brixton, along with various squatted venues and spaces. Throughout these encounters, he shares stories of culturally and politically significant individuals who left a lasting impact on him. Wrapping up our conversation, we touch upon his introduction to the harder techno scene in the 1990s. We also delve into the parties and clubs that influenced his early foray into music production, ultimately leading to his releases on underground techno labels. I asked Brandon to write a short description to describe himself and it is reproduced below
"Brandon Spivey is 56. Has a love of life, music , art and rebellion.
He has lived in a number of countries. Enjoyed many riots.
Hospitalised a number of authoritarian undesirables.
Written 'No Comment, The Defendants Guide to Arrest' .
He gave up drink and drugs in 1989 to focus on being a c#nt.
He has interest in all aspects of working class art, music and culture.
In summary:
Electronic music producer, Film Maker, Building worker and Trouble maker.
Interested in Musicology and Dadaist art.
A proud advocate of free speech and a supporter of peoples right to attack their oppressors.
He mocks identity politics bullshit and is proudly anarchist and a born anti authoritarian."

Support the show

https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/
Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt
Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

  continue reading

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