EP19: 黑人的歌白人唱(「寻找正宗的蓝调」系列之一)
Manage episode 385647862 series 2646183
内容简介
新开一个小系列,来讲讲黑人蓝调音乐怎么就这么变成了得由黑人来演来唱的音乐。当然,这句话后面的意思是,在黑人蓝调成为要由黑人来演唱的音乐之前,白人也可以演可以唱的,甚至,在很长一段时间,唱片里的蓝调音乐是只能有白人来演来唱的。出现这种情况,当然是因为歧视,白人的特权。
小系列第一期,我们先聊聊白人的音乐特权,男性的特权,女性的特权,作为受害者的反抗特权。
- 早期爵士和蓝调的共生关系
- 美国流行文化中的一个重要母题:白人男性的危机
- 对于女艺人的双标
- 1900 年代新女性艺人的叛逆之道
《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm
相关链接
主要参考文献
Sanjek, R. (1988). American popular music and its business: the first four hundred years. Volume II: From 1790 to 1909. New York: Oxford University Press.
Ashby, L. (2006). With amusement for all: a history of American popular culture since 1830. Lexington: University Press of Kentucky.
Apolloni, A. M. (2021). Freedom girls: voicing femininity in 1960s British pop. Oxford University Press.
Miller, K. H. (2010). Segregating sound: inventing folk and pop music in the age of Jim Crow. Durham: Duke University Press.
Suisman, D. (2009). Selling sounds: the commercial revolution in American music. Cambridge, Mass.: Harvard University Press.
Lott, E. (1993). Love and theft: blackface minstrelsy and the American working class. New York: Oxford University Press.
Bowden, B. & Dylan, B. (1982). Performed literature: words and music by Bob Dylan. Bloomington: Indiana University Press.
Kennedy, D. M. (2004). Over here: the First World War and American society (25th anniversary ed). Oxford,: Oxford University Press.
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