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内容由Church+State / Frequency Podcast Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Church+State / Frequency Podcast Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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The New Joker

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Manage episode 258400964 series 2650001
内容由Church+State / Frequency Podcast Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Church+State / Frequency Podcast Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Stand up comedy’s second boom feels less driven by punchlines, and more by comedians’ introspection and vulnerability.

Nearly every week, another special comes out that mines the personal narrative and struggles of another comics. While some comedians have managed to make this kind of vulnerability funny, others… have made it easy to forget you’re watching a standup show. And that tone change has led to style and format shifts as well.

The traditional format — the laughs/per minute structure, on-stage-every-night, and the need to appeal to the masses — is all but dead. Taking their place? Comedians as TED talkers, as performance artists, as prophets and pundits.

And while what’s shared on stage is more varied than ever, some think the form is being constrained. You can say anything, but you can’t just say anything.

So, what are comedians trying to do other than make us laugh? How is this trend of vulnerability and experimentation changing standup’s tone, format and purpose? And what complications arise?

  continue reading

12集单集

Artwork

The New Joker

The Coup

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Manage episode 258400964 series 2650001
内容由Church+State / Frequency Podcast Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Church+State / Frequency Podcast Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Stand up comedy’s second boom feels less driven by punchlines, and more by comedians’ introspection and vulnerability.

Nearly every week, another special comes out that mines the personal narrative and struggles of another comics. While some comedians have managed to make this kind of vulnerability funny, others… have made it easy to forget you’re watching a standup show. And that tone change has led to style and format shifts as well.

The traditional format — the laughs/per minute structure, on-stage-every-night, and the need to appeal to the masses — is all but dead. Taking their place? Comedians as TED talkers, as performance artists, as prophets and pundits.

And while what’s shared on stage is more varied than ever, some think the form is being constrained. You can say anything, but you can’t just say anything.

So, what are comedians trying to do other than make us laugh? How is this trend of vulnerability and experimentation changing standup’s tone, format and purpose? And what complications arise?

  continue reading

12集单集

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