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How to Protect Bookstores and Why - Highlights - DANNY CAINE, Bookseller, Poet

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Manage episode 418404304 series 3334551
内容由Mia Funk, The Creative Process - Books, TV, LGBTQ, Social Justice, and AI提供。所有播客内容(包括剧集、图形和播客描述)均由 Mia Funk, The Creative Process - Books, TV, LGBTQ, Social Justice, and AI 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“Bookselling captured my imagination and my heart as soon as I started working at the bookstore because I could see the potential for this great, amazing community-oriented work. Of course, it's a thrill to be around books, to meet authors, to read all this stuff, and to spend all day with people who love books, but what I think I really fell in love with was the sense of community, the people behind it, and the way a bookstore can really be an engine for positive social change within its community and in a broader sense as well. My whole nonfiction book project started with a tweet thread. It was about how every bookseller has to be prepared to have this discussion: a customer comes in, and they're like, this book is 50 percent off on Amazon. Why should I buy it here? So, I don't think about it quite as withholding from Amazon as much as contributing to these local community-oriented businesses.
The thing that unites my poetry and the nonfiction writing is my main obsession as a writer. It's the question of, how do you live meaningfully in late capitalism? As corporations and global capitalist forces take over the world, what does it mean to try to have a meaningful human life? I think the proliferation of objects might reflect that. A lot of what we do in this world is collect objects, and regardless of whether it's good or bad, you build a nest. I think that in Picture Window in particular, I wanted to write about the domestic in a way that I hadn't written in so far. And then the pandemic happened, so I was forced into this weird, uneasy, claustrophobic domesticity. When your attention is so focused within your own home and within your own family, every object in your house takes on a new resonance. So, when a tennis ball that you've never seen somehow shows up in your house, that's weird. It's poetic. It feels dreamlike.”

Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy's, Flavortown, and Picture Window, as well as the books How to Protect Bookstores and Why and How to Resist Amazon and Why. His poetry has appeared in The Slowdown, Lit Hub, Diagram, HAD, and Barrelhouse. He's a co-owner of The Raven Bookstore, Publisher's Weekly's 2022 Bookstore of the Year.

www.dannycaine.com
www.ravenbookstore.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

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300集单集

Artwork
icon分享
 
Manage episode 418404304 series 3334551
内容由Mia Funk, The Creative Process - Books, TV, LGBTQ, Social Justice, and AI提供。所有播客内容(包括剧集、图形和播客描述)均由 Mia Funk, The Creative Process - Books, TV, LGBTQ, Social Justice, and AI 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“Bookselling captured my imagination and my heart as soon as I started working at the bookstore because I could see the potential for this great, amazing community-oriented work. Of course, it's a thrill to be around books, to meet authors, to read all this stuff, and to spend all day with people who love books, but what I think I really fell in love with was the sense of community, the people behind it, and the way a bookstore can really be an engine for positive social change within its community and in a broader sense as well. My whole nonfiction book project started with a tweet thread. It was about how every bookseller has to be prepared to have this discussion: a customer comes in, and they're like, this book is 50 percent off on Amazon. Why should I buy it here? So, I don't think about it quite as withholding from Amazon as much as contributing to these local community-oriented businesses.
The thing that unites my poetry and the nonfiction writing is my main obsession as a writer. It's the question of, how do you live meaningfully in late capitalism? As corporations and global capitalist forces take over the world, what does it mean to try to have a meaningful human life? I think the proliferation of objects might reflect that. A lot of what we do in this world is collect objects, and regardless of whether it's good or bad, you build a nest. I think that in Picture Window in particular, I wanted to write about the domestic in a way that I hadn't written in so far. And then the pandemic happened, so I was forced into this weird, uneasy, claustrophobic domesticity. When your attention is so focused within your own home and within your own family, every object in your house takes on a new resonance. So, when a tennis ball that you've never seen somehow shows up in your house, that's weird. It's poetic. It feels dreamlike.”

Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy's, Flavortown, and Picture Window, as well as the books How to Protect Bookstores and Why and How to Resist Amazon and Why. His poetry has appeared in The Slowdown, Lit Hub, Diagram, HAD, and Barrelhouse. He's a co-owner of The Raven Bookstore, Publisher's Weekly's 2022 Bookstore of the Year.

www.dannycaine.com
www.ravenbookstore.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

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