Artwork

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In the Studio: Michael Visocchi

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Manage episode 462011287 series 1301446
内容由BBC and BBC World Service提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC World Service 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In an old schoolroom in the Scottish Highlands, sculptor Michael Visocchi is working on Commensalis, a huge work that will be installed thousands of miles away, in Grytviken, an abandoned whaling station on the Antarctic island of South Georgia. Whaling ships and equipment were taken Grytviken and assembled there. Now it is an industrial scrapyard; ships rust on the shore, huge tanks decay and millions of left over rivets remain. Visocchi was struck by the similarity of shape of these rivets and the bumps of the barnacles on the bodies of living whales.Visocchi talks to presenter Julian May as he works on this project which is challenging in so many ways. South Georgia has no permanent population, so is a public artwork appropriate?

  continue reading

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Artwork

In the Studio: Michael Visocchi

The Documentary Podcast

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published

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Manage episode 462011287 series 1301446
内容由BBC and BBC World Service提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC World Service 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In an old schoolroom in the Scottish Highlands, sculptor Michael Visocchi is working on Commensalis, a huge work that will be installed thousands of miles away, in Grytviken, an abandoned whaling station on the Antarctic island of South Georgia. Whaling ships and equipment were taken Grytviken and assembled there. Now it is an industrial scrapyard; ships rust on the shore, huge tanks decay and millions of left over rivets remain. Visocchi was struck by the similarity of shape of these rivets and the bumps of the barnacles on the bodies of living whales.Visocchi talks to presenter Julian May as he works on this project which is challenging in so many ways. South Georgia has no permanent population, so is a public artwork appropriate?

  continue reading

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