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Episode 379 - The Science of Rough Vocal Effects with May Oskan

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Manage episode 426789441 series 1272809
内容由John Henny提供。所有播客内容(包括剧集、图形和播客描述)均由 John Henny 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode, John talks with May Oskan about rough vocal effects and the techniques behind them. May also discusses the importance of creating vocal effects safely and the different parts of the vocal tract that can be used to create distortion. She explains that coordination and control are key in creating different vocal effects.

Episode Highlights

  • Creating vocal effects safely involves controlling volume, avoiding extrinsic tension, and using specific structures in the vocal tract.
  • Learning vocal effects may be easier for singers who have already developed specific coordinations and have a playful attitude towards their voice.
  • Voice teachers interested in teaching vocal effects should listen to a variety of vocal effects, listen to their students' desired sounds, and explore vocal effects themselves to better understand and teach them.

You can learn more about May Oskan at mayoskanvoice.com

To learn more about John Henny, his best-selling books, on-line courses, Voiceschool.com featuring his Teaching Team of Experts, Speaker Training and the Contemporary Voice Teacher Academy, visit: JohnHenny.com

  continue reading

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Manage episode 426789441 series 1272809
内容由John Henny提供。所有播客内容(包括剧集、图形和播客描述)均由 John Henny 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode, John talks with May Oskan about rough vocal effects and the techniques behind them. May also discusses the importance of creating vocal effects safely and the different parts of the vocal tract that can be used to create distortion. She explains that coordination and control are key in creating different vocal effects.

Episode Highlights

  • Creating vocal effects safely involves controlling volume, avoiding extrinsic tension, and using specific structures in the vocal tract.
  • Learning vocal effects may be easier for singers who have already developed specific coordinations and have a playful attitude towards their voice.
  • Voice teachers interested in teaching vocal effects should listen to a variety of vocal effects, listen to their students' desired sounds, and explore vocal effects themselves to better understand and teach them.

You can learn more about May Oskan at mayoskanvoice.com

To learn more about John Henny, his best-selling books, on-line courses, Voiceschool.com featuring his Teaching Team of Experts, Speaker Training and the Contemporary Voice Teacher Academy, visit: JohnHenny.com

  continue reading

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