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45. Lucy May Constantini | Kaḷarippayaṟṟ˘: Martial Art of Kerala

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内容由Yogic Studies提供。所有播客内容(包括剧集、图形和播客描述)均由 Yogic Studies 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode we speak with Lucy May Constantini about her fascinating research and practical experience studying the south-Indian martial art tradition of kaḷarippayaṟṟ˘. We discuss Lucy's background of training in Kerala, the history of kaḷari, the role of the gurukkaḷ ("lineage-holder"), the tradition's Śākta Tantra context in Kerala, medieval ankam battles, the gendered dynamics of male and female practitioners, training with weapons, parallels with yogāsana and the renaissance of modern postural yoga, and much more. We conclude by previewing Lucy's upcoming online course, YS 128 | Kaḷarippayaṟṟ˘: Embodying the Cosmic Wind.

Speaker Bio
Lucy May Constantini is a dance-artist turned scholar who first encountered the South Indian martial art kaḷarippayaṟṟ˘ in 2002 during a residential dance workshop in South India. She went on to train extensively in kaḷarippayaṟṟ˘ at CVN Kalari Sangham in Thiruvananthapuram. In 2012 she was initiated into and apprenticed in kaḷaricikilsa, kaḷarippayaṟṟ˘’s therapeutic system. She was awarded with distinction a masters in South Asia Area Studies from SOAS, University of London in 2018, and recently submitted her PhD thesis in the School of Religious Studies at the Open University in the UK. This was funded by the UK Arts and Humanities Research Council’s Open-Oxford-Cambridge Doctoral Training Partnership and supported by the École française d'Extrême-Orient in Pondicherry. Lucy’s research was co-created with the lineage-holder of CVN Kalari Sangham and explores the relationship between practice and textual traditions in kaḷarippayaṟṟ˘. Her interdisciplinary research encompasses ethnography, drawing on the relationship since 2002 with CVN Kalari in Thiruvananthapuram, and the study of manuscripts in Malayalam. Her research methodology draws on her background in dance and somatic practices, where her work investigates the confluence of her praxes of postmodern dance, martial arts and yoga.
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Manage episode 412729196 series 2709412
内容由Yogic Studies提供。所有播客内容(包括剧集、图形和播客描述)均由 Yogic Studies 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode we speak with Lucy May Constantini about her fascinating research and practical experience studying the south-Indian martial art tradition of kaḷarippayaṟṟ˘. We discuss Lucy's background of training in Kerala, the history of kaḷari, the role of the gurukkaḷ ("lineage-holder"), the tradition's Śākta Tantra context in Kerala, medieval ankam battles, the gendered dynamics of male and female practitioners, training with weapons, parallels with yogāsana and the renaissance of modern postural yoga, and much more. We conclude by previewing Lucy's upcoming online course, YS 128 | Kaḷarippayaṟṟ˘: Embodying the Cosmic Wind.

Speaker Bio
Lucy May Constantini is a dance-artist turned scholar who first encountered the South Indian martial art kaḷarippayaṟṟ˘ in 2002 during a residential dance workshop in South India. She went on to train extensively in kaḷarippayaṟṟ˘ at CVN Kalari Sangham in Thiruvananthapuram. In 2012 she was initiated into and apprenticed in kaḷaricikilsa, kaḷarippayaṟṟ˘’s therapeutic system. She was awarded with distinction a masters in South Asia Area Studies from SOAS, University of London in 2018, and recently submitted her PhD thesis in the School of Religious Studies at the Open University in the UK. This was funded by the UK Arts and Humanities Research Council’s Open-Oxford-Cambridge Doctoral Training Partnership and supported by the École française d'Extrême-Orient in Pondicherry. Lucy’s research was co-created with the lineage-holder of CVN Kalari Sangham and explores the relationship between practice and textual traditions in kaḷarippayaṟṟ˘. Her interdisciplinary research encompasses ethnography, drawing on the relationship since 2002 with CVN Kalari in Thiruvananthapuram, and the study of manuscripts in Malayalam. Her research methodology draws on her background in dance and somatic practices, where her work investigates the confluence of her praxes of postmodern dance, martial arts and yoga.
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