Artwork

内容由Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves提供。所有播客内容(包括剧集、图形和播客描述)均由 Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 2: Too Good for the 'Hood

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Manage episode 421986103 series 3378367
内容由Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves提供。所有播客内容(包括剧集、图形和播客描述)均由 Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode it becomes clear that Andrew and his patient Manuela are unconsciously co-constructing a dynamic in which Manuela is under pressure to be cultured and cool in order to maintain Andrew's admiration, while Andrew is under pressure to take up a lesser position. As the supervision unfolds, Andrew becomes aware of how his envy is at the heart of this dynamic and how he is projecting certain longings onto Manuela. He becomes aware this leads to both an underplaying of Manuela’s limits and vulnerabilities and the overplaying of his own and keeps her stuck in a relational impasse. In the session, Andrew moves to a more balanced perception of Manuela’s plight and a greater recognition of his own contribution to her relational dynamic.

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32集单集

Artwork
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Manage episode 421986103 series 3378367
内容由Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves提供。所有播客内容(包括剧集、图形和播客描述)均由 Gill Straker, Rachael Burton, Andrew Geeves, Gill Straker, Rachael Burton, and Andrew Geeves 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode it becomes clear that Andrew and his patient Manuela are unconsciously co-constructing a dynamic in which Manuela is under pressure to be cultured and cool in order to maintain Andrew's admiration, while Andrew is under pressure to take up a lesser position. As the supervision unfolds, Andrew becomes aware of how his envy is at the heart of this dynamic and how he is projecting certain longings onto Manuela. He becomes aware this leads to both an underplaying of Manuela’s limits and vulnerabilities and the overplaying of his own and keeps her stuck in a relational impasse. In the session, Andrew moves to a more balanced perception of Manuela’s plight and a greater recognition of his own contribution to her relational dynamic.

  continue reading

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