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Kaelen Wilson-Goldie: Beautiful, Gruesome, and True
Manage episode 353761548 series 3431530
内容由Pierre d'Alancaisez提供。所有播客内容（包括剧集、图形和播客描述）均由 Pierre d'Alancaisez 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.
Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.
Kaelan Wilson-Goldie’s Beautiful, Gruesome, and True is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.
Kaelan Wilson-Goldie speaks to Pierre d'Alancaisez about the implicit contracts artists enter with their communities, the art world’s exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.
Kaelen Wilson-Goldie is a writer and critic who contributes regularly to Artforum, Aperture, and Afterall, among other publications. She is the author of Etel Adnan, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art.
- Documentation of Margolles’ pavilion in in Venice in 2009,
- Her works at Mor Charpenter and Peter Kilchmann,
- Her Fourth Plinth proposal for London.
- Abounaddara at Documenta 14,
- The Right to the Image (in Arabic)
- The Islamic State for Dummies – Part One, 2014.
- Amar Kanwar’s The Season Outside, 1997,
- and Many Faces of Madness, 2000.
ISBN 9781735913735
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