Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Wild City #216: Eashwar Subramanian
Manage episode 344507481 series 1413480
内容由Wild City提供。所有播客内容(包括剧集、图形和播客描述)均由 Wild City 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Ever since Bangalore's Eashwar Subramanian started supplementing his white-collar professional life by putting out music nearly 5 years ago, he has done so relentlessly. A regular fixture in the country's ambient music landscape, Eashwar's work sets itself apart from the rest in the genre by creating placating dissipative soundscapes primarily through minimal melodies than abstract textures – naturally borrowing from the cinematic and new age. Initially putting out the work at a staggering pace primarily over SoundCloud, the composer-producer has lately started to consolidate his work with distinct EPs and albums, each featuring a minute but noticeable growth or experiment into the new. For his Wild City mix, Eashwar gives a snapshot of that journey as he curates an all-originals set that connects music all the way from his 2018's 'Ambient Hamlet' with the just-released 'String Theory' – his latest 5-track EP which sees his melodic motifs dissipate between percussive beds of plucked strings (on 'Fireflies'), pitched mallets (on the standout 'Mountainsong') or reversing samples of ethnic strings (on 'Turkish Wedding'). Consequently, the mix highlights the different ways Subramanian can offer pacification and invite introspection whether with simple piano melodies, like on 'Verdant Nature' from 'Polar Drift', or, in a rare instance, by actually choosing to paint with abstract texture, like on 'Expanse' from the latest EP 'String Theory'. For more information and tracklisting: https://www.thewildcity.com/mixes/19944-wild-city-216-eashwar-subramanian
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251集单集
Manage episode 344507481 series 1413480
内容由Wild City提供。所有播客内容(包括剧集、图形和播客描述)均由 Wild City 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Ever since Bangalore's Eashwar Subramanian started supplementing his white-collar professional life by putting out music nearly 5 years ago, he has done so relentlessly. A regular fixture in the country's ambient music landscape, Eashwar's work sets itself apart from the rest in the genre by creating placating dissipative soundscapes primarily through minimal melodies than abstract textures – naturally borrowing from the cinematic and new age. Initially putting out the work at a staggering pace primarily over SoundCloud, the composer-producer has lately started to consolidate his work with distinct EPs and albums, each featuring a minute but noticeable growth or experiment into the new. For his Wild City mix, Eashwar gives a snapshot of that journey as he curates an all-originals set that connects music all the way from his 2018's 'Ambient Hamlet' with the just-released 'String Theory' – his latest 5-track EP which sees his melodic motifs dissipate between percussive beds of plucked strings (on 'Fireflies'), pitched mallets (on the standout 'Mountainsong') or reversing samples of ethnic strings (on 'Turkish Wedding'). Consequently, the mix highlights the different ways Subramanian can offer pacification and invite introspection whether with simple piano melodies, like on 'Verdant Nature' from 'Polar Drift', or, in a rare instance, by actually choosing to paint with abstract texture, like on 'Expanse' from the latest EP 'String Theory'. For more information and tracklisting: https://www.thewildcity.com/mixes/19944-wild-city-216-eashwar-subramanian
…
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251集单集
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