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Wordsworth's Prelude of 1805

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When? This feed was archived on October 01, 2021 05:07 (3y ago). Last successful fetch was on July 06, 2021 19:08 (3+ y ago)

Why? 不活跃的收取点 status. 我们的伺服器已尝试了一段时间,但仍然无法截取有效的播客收取点

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

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内容由Jennifer Pollard and Cambridge University提供。所有播客内容(包括剧集、图形和播客描述)均由 Jennifer Pollard and Cambridge University 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Tuesday 26 October 2010 saw a marathon event in the Faculty of English. Faculty members read all of Wordsworth's substantial poem "The Prelude" live and online. The entire reading took approximately ten hours. This reading is a deliberate sequel to our reading of Milton's great poem "Paradise Lost" (twelve hours long) in 2008, which was part of the celebrations for Milton's four-hundredth birthday. Wordsworth fought as a poet to break free from Milton's influence, and yet he chose to write his greatest poem, "The Prelude", in a style which imitates - and in some lines, directly borrows from - Milton's poem. Yet the topic is totally different. "The Prelude" is an autobiography, and surveys Wordsworth's childhood, time in Cambridge and early travels. It thinks through his ideas about the imagination, individual poetic genius, revolution and youthful rebellion, writing's relationship to everyday life, the awesomeness of nature, and in particular the Lake District (which Wordsworth and his friends made famous). We'll be reading the version which Wordsworth wrote in 1805, while he was at the height of his poetic powers. (He later rewrote and, in most people's opinion, ruined, the poem as he aged.) The readers include thirteen members of the Faculty of English in Cambridge, including several authorities on Wordsworth such as Prof. Heather Glen and Dr Philip Connell, and on the Romantic poets more generally, such as Dr Mina Gorji and Dr Paul Chirico.
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Artwork
icon分享
 

已归档的系列专辑 ("不活跃的收取点" status)

When? This feed was archived on October 01, 2021 05:07 (3y ago). Last successful fetch was on July 06, 2021 19:08 (3+ y ago)

Why? 不活跃的收取点 status. 我们的伺服器已尝试了一段时间,但仍然无法截取有效的播客收取点

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1261430
内容由Jennifer Pollard and Cambridge University提供。所有播客内容(包括剧集、图形和播客描述)均由 Jennifer Pollard and Cambridge University 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Tuesday 26 October 2010 saw a marathon event in the Faculty of English. Faculty members read all of Wordsworth's substantial poem "The Prelude" live and online. The entire reading took approximately ten hours. This reading is a deliberate sequel to our reading of Milton's great poem "Paradise Lost" (twelve hours long) in 2008, which was part of the celebrations for Milton's four-hundredth birthday. Wordsworth fought as a poet to break free from Milton's influence, and yet he chose to write his greatest poem, "The Prelude", in a style which imitates - and in some lines, directly borrows from - Milton's poem. Yet the topic is totally different. "The Prelude" is an autobiography, and surveys Wordsworth's childhood, time in Cambridge and early travels. It thinks through his ideas about the imagination, individual poetic genius, revolution and youthful rebellion, writing's relationship to everyday life, the awesomeness of nature, and in particular the Lake District (which Wordsworth and his friends made famous). We'll be reading the version which Wordsworth wrote in 1805, while he was at the height of his poetic powers. (He later rewrote and, in most people's opinion, ruined, the poem as he aged.) The readers include thirteen members of the Faculty of English in Cambridge, including several authorities on Wordsworth such as Prof. Heather Glen and Dr Philip Connell, and on the Romantic poets more generally, such as Dr Mina Gorji and Dr Paul Chirico.
  continue reading

12集单集

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