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It Jus' Keeps Rolling: The Story of Ol' Man River

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Manage episode 224165859 series 1301466
内容由BBC and BBC World Service提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC World Service 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In 1927 Jerome Kern and Oscar Hammerstein created Ol’ Man River to bind their breakthrough Broadway musical Show Boat. Giving it an almighty showstopper. Audiences were carried away as ‘Joe’, the ordinary black labourer, took centre stage to sing of toil and suffering in the land of cotton along the banks of the Mississippi. From the beginning it thrilled with powerful contradictions. A song of black suffering by white artists in Jim Crow America where its mixed cast couldn’t even dine together. Its lyrics were racially charged and contested from the get go and before becoming a song of revolution and protest across three continents. Kern and Hammerstein wrote it specifically with rising superstar Paul Robeson in mind. The son of a slave, the singer of new Negro spirituals and, later, the voice of working class solidarity. But Robeson would not be the first to perform it. That would come a year later in London, beginning a complex personal relationship with the song including his own changes to the lyrics and performances on the front lines of Civil War Spain and Cold War America. Beyond Robeson, the song immediately became a jazz standard. Artists as diverse as Bing Crosby, Frank Sinatra, Sammy Davis Jr, Judy Garland, Rod Stewart, Ray Charles, Aretha Franklin and Dave Brubeck have performed it. Mark Burman navigates the many currents of history flowing through Ol’ Man River from Broadway to the Black Panthers to its last unlikely journey along the banks of the Brahmaputra and a new mass Indian audience that knew little of its original source.

  continue reading

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Manage episode 224165859 series 1301466
内容由BBC and BBC World Service提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC World Service 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In 1927 Jerome Kern and Oscar Hammerstein created Ol’ Man River to bind their breakthrough Broadway musical Show Boat. Giving it an almighty showstopper. Audiences were carried away as ‘Joe’, the ordinary black labourer, took centre stage to sing of toil and suffering in the land of cotton along the banks of the Mississippi. From the beginning it thrilled with powerful contradictions. A song of black suffering by white artists in Jim Crow America where its mixed cast couldn’t even dine together. Its lyrics were racially charged and contested from the get go and before becoming a song of revolution and protest across three continents. Kern and Hammerstein wrote it specifically with rising superstar Paul Robeson in mind. The son of a slave, the singer of new Negro spirituals and, later, the voice of working class solidarity. But Robeson would not be the first to perform it. That would come a year later in London, beginning a complex personal relationship with the song including his own changes to the lyrics and performances on the front lines of Civil War Spain and Cold War America. Beyond Robeson, the song immediately became a jazz standard. Artists as diverse as Bing Crosby, Frank Sinatra, Sammy Davis Jr, Judy Garland, Rod Stewart, Ray Charles, Aretha Franklin and Dave Brubeck have performed it. Mark Burman navigates the many currents of history flowing through Ol’ Man River from Broadway to the Black Panthers to its last unlikely journey along the banks of the Brahmaputra and a new mass Indian audience that knew little of its original source.

  continue reading

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