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内容由Yah, No Podcast, Tina Park, and Miya Osaki提供。所有播客内容(包括剧集、图形和播客描述)均由 Yah, No Podcast, Tina Park, and Miya Osaki 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 29: Disability and Social-Minded Design

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Manage episode 383819589 series 1329530
内容由Yah, No Podcast, Tina Park, and Miya Osaki提供。所有播客内容(包括剧集、图形和播客描述)均由 Yah, No Podcast, Tina Park, and Miya Osaki 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Yes, design takes craft, but it also requires deeply observing and questioning the world around you, engaging communities, and maybe even using guerilla tactics. Enter: Sara Hendren– artist, design researcher, writer, professor at Olin College of Engineering and all-around badass. Much of Sara’s work focuses on assistive and adaptive technologies, as well as disability rights and advocacy. Our penultimate episode of season 3 explores the intersection of design, disability and accessibility. Join Miya and Tina as Sara explains the origins of her Accessibility Icon Project, unpacks considering disability as a social model versus a medical model, and shares her belief that “design has it’s best work when it’s poking on the status quo.”
  continue reading

41集单集

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Manage episode 383819589 series 1329530
内容由Yah, No Podcast, Tina Park, and Miya Osaki提供。所有播客内容(包括剧集、图形和播客描述)均由 Yah, No Podcast, Tina Park, and Miya Osaki 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Yes, design takes craft, but it also requires deeply observing and questioning the world around you, engaging communities, and maybe even using guerilla tactics. Enter: Sara Hendren– artist, design researcher, writer, professor at Olin College of Engineering and all-around badass. Much of Sara’s work focuses on assistive and adaptive technologies, as well as disability rights and advocacy. Our penultimate episode of season 3 explores the intersection of design, disability and accessibility. Join Miya and Tina as Sara explains the origins of her Accessibility Icon Project, unpacks considering disability as a social model versus a medical model, and shares her belief that “design has it’s best work when it’s poking on the status quo.”
  continue reading

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