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Sangat Vaani

Guruji's Bangalore Sangat

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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 30 tac-chiṣya-rūpeṇa ca mat-priyaṁ taṁ saṁśrāvya śāpaṁ nilayāndha-kūpāt śrī-vāsudevena vikṛṣya nītaḥ prāyopaveśāya matiṁ dyu-nadyām TRANSLATION When I heard of that curse, I took it as most welcome. Śrī Vāsudeva, in the form of a brāhmaṇa’s disciple, was dragging me out of the blind well of family life and …
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In this episode, we perceive picturesque images from the sea, as depicted in Sangam Literary work, Kalithogai 126, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and presents the assumptions and revelations in the mind of a parted maiden. பொன் மலை சுடர் சேர, புலம்பிய இடன் நோக்கி, தன் மலைந்து உலகு ஏத்த, தகை …
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In this episode, we listen to a philosophical thought about the heart, as portrayed in Sangam Literary work, Kalithogai 125, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and puts forth a heartfelt plea. ‘கண்டவர் இல்’ என, உலகத்துள் உணராதார், தங்காது தகைவு இன்றித் தாம் செய்யும் வினைகளுள், நெஞ்சு அறிந்த கொடி…
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In this episode, we listen to the confidante’s thoughtful request, as depicted in Sangam Literary work, Kalithogai 124, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and relates the consequences of a man’s parting. ஞாலம் மூன்று அடித் தாய முதல்வற்கு முது முறைப் பால் அன்ன மேனியான் அணி பெறத் தைஇய நீல நீர் உடை…
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In this episode, we perceive the actions of a troubled heart, as portrayed in Sangam Literary work, Kalithogai 123, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and presents a portrait of a maiden, parted from her beloved. கருங் கோட்டு நறும் புன்னை மலர் சினை மிசைதொறும் சுரும்பு ஆர்க்கும் குரலினோடு, இருந் …
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In this episode, we perceive the confused heart of a lady, as depicted in Sangam Literary work, Kalithogai 122, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and reveals an impossible situation in a person’s life. ‘கோதை ஆயமும் அன்னையும் அறிவுற, போது எழில் உண்கண் புகழ் நலன் இழப்ப, காதல் செய்து அருளாது துறந்…
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In this episode, we hear a passionate plea on behalf of a friend, as portrayed in Sangam Literary work, Kalithogai 121, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and depicts the state of a maiden with elements of nature. ஒண் சுடர் கல் சேர, உலகு ஊரும் தகையது, தெண் கடல் அழுவத்துத் திரை நீக்கா எழுதரூஉம், …
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In this episode, we infer emotions from intricate similes about human nature, as depicted in Sangam Literary work, Kalithogai 120, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and brings forth the transformation at the cusp of an event. அருள் தீர்ந்த காட்சியான், அறன் நோக்கான், நயம் செய்யான், வெருவுற உய்த்…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 25 śrī-jaiminir uvāca mātur evaṁ mahā-ramya- praśnenānanditaḥ sutaḥ tāṁ natvā sāśru-romāñcam ārebhe pratibhāṣitum TRANSLATION Śrī Jaimini said: Delighted by this most pleasing inquiry from Mother Uttarā, her son, Parīkṣit, bowed down to her and began his reply. Tears poured from his eyes, and his bodily hai…
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In this episode, we perceive a lady’s pain, as portrayed in Sangam Literary work, Kalithogai 119, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and highlights the happenings of an evening. அகன் ஞாலம் விளக்கும் தன் பல் கதிர் வாயாகப் பகல் நுங்கியது போலப் படு சுடர் கல் சேர, இகல் மிகு நேமியான் நிறம் போல இருள் …
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In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Kalithogai 118, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and sketches the words rendered to an evening. வெல் புகழ் மன்னவன், விளங்கிய ஒழுக்கத்தால் நல் ஆற்றின் உயிர் காத்து, நடுக்கு அற, தான் செய்த தொல் வினைப் பயன் துய்ப்…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 parāṁ kāṣṭhāṁ gataṁ tat-tad- rasa-jātīyatocitam athāpi rāsa-kṛt-tādṛg- bhaktānām astu kā gatiḥ TRANSLATION They have all attained the ultimate limit of happiness, each in his own kind of ecstatic reciprocation with the Lord. But what place is destined for the exceptional devotees of the performer of the …
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In this episode, we listen to the words of a lovelorn man, as portrayed in Sangam Literary work, Kalithogai 117, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and portrays an expression of interest in a conversation between a couple. தலைவன் மாண உருக்கிய நன் பொன் மணி உறீஇ, பேணித் துடைத்தன்ன மேனியாய்! கோ…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 parāṁ kāṣṭhāṁ gataṁ tat-tad- rasa-jātīyatocitam athāpi rāsa-kṛt-tādṛg- bhaktānām astu kā gatiḥ TRANSLATION They have all attained the ultimate limit of happiness, each in his own kind of ecstatic reciprocation with the Lord. But what place is destined for the exceptional devotees of the performer of the …
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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