Season 6, Episode 4 - Anna Christy And Steven LaBrie, Principals In CAROUSEL Central City Opera podcast

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Podcast showcasing Variety Arts talent from around the world. Juggling, Magic, Standup Comedy, Impressions, Ventriloquism, Dance, solo musicians, and More! Series of 3 short videos of talent and Hosted by a different Tag Team each week. Lots of Laughs and great way to see a variety of talents in a podcast.

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Season 6, Episode 4 - Anna Christy and Steven LaBrie, Principals in CAROUSEL

4年之前 36:57

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内容由Central City Opera提供。所有播客内容（包括剧集、图形和播客描述）均由 Central City Opera 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

On this episode, soprano Anna Christy and baritone Steven LaBrie talk about their roles of Julie Jordan and Billy Bigelow in CAROUSEL. Steven and Anna discuss the big question most of us think when watching this show – why does Billy treat Julie the way that he does, and why does Julie stay? Anna also shares how the roles she’s played on the Central City Opera House stage have shaped her as an artist, and Steven goes into how his first big role with a lot of spoken dialogue has been both challenging and immensely rewarding. They also share what they’d like audiences to take away from this summer’s production of Rodgers & Hammerstein’s CAROUSEL.

Read the show notes for this episode here.

Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.

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#Theater #Arts #Central City Opera

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Season 6, Episode 4 - Anna Christy and Steven LaBrie, Principals in CAROUSEL

Central City Opera Podcast

published 4年之前

分享

MP3•单集首页

内容由Central City Opera提供。所有播客内容（包括剧集、图形和播客描述）均由 Central City Opera 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

On this episode, soprano Anna Christy and baritone Steven LaBrie talk about their roles of Julie Jordan and Billy Bigelow in CAROUSEL. Steven and Anna discuss the big question most of us think when watching this show – why does Billy treat Julie the way that he does, and why does Julie stay? Anna also shares how the roles she’s played on the Central City Opera House stage have shaped her as an artist, and Steven goes into how his first big role with a lot of spoken dialogue has been both challenging and immensely rewarding. They also share what they’d like audiences to take away from this summer’s production of Rodgers & Hammerstein’s CAROUSEL.

Read the show notes for this episode here.

Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.

… continue reading

74集单集

#Theater #Arts #Central City Opera

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Season 9. Episode 4 - CEO of Central City Opera, Scott Finlay 18:43

12 weeks之前18:43

18:43

In this episode, we sit down with our inspiring CEO, Scott Finlay, to learn more about the man behind the leadership. With over 12 years at Central City Opera, Scott shares his journey, from his early days with the company to stepping into the role of CEO. He reflects on the challenges and triumphs of leading an opera company, the importance of transparency, and how he navigates issues like audience preferences, artist satisfaction, and operational challenges. Scott’s positivity and encouragement have left a lasting impression on the team, and in this conversation, you’ll get a glimpse of his vision, charisma, and dreams for the future of CCO. Don’t miss this engaging episode filled with thoughtful insights, personal stories, and a look ahead at what’s in store for the next decade of Central City Opera! Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org. https://centralcityopera.org/2024-festival/ Read More…

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Season 9, Ep. 3 - Principal Artists, Kara Shay and Jasmine and Director of Historic Properties, Eric Chinn 27:29

12 weeks之前27:29

27:29

In this episode, sopranos Kara Shay Thomson and Jasmine Habersham reflect on forging your own path in opera. Both began their journeys at Central City Opera as Young Artists in the Bonfils-Stanton Foundation Artists Training Program and returned last season as principal performers. They share advice and encouragement for the next generation of Young Artists. Later, meet Eric Chinn, Director of Historic Properties, who oversees the care and preservation of Central City’s iconic historic buildings. Be sure to tune in for this engaging and enlightening episode! Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org. https://centralcityopera.org/2024-festival/ Read More…

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Season 9, Episode 2 - Principal Artist, Lauren Gemelli and Senior Director of Finance, Chuck Calkins 35:42

12 weeks之前35:42

35:42

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Season 9, Episode 1 - Artistic Director Alison Moritz and Managing Director Adam Scurto on the 2024 Festival 31:26

36 weeks之前31:26

31:26

On this episode, Central City Opera's new Artistic Director Alison Moritz, and Managing Director of External Affairs Adam Scurto discuss the 2024 Festival Season. Join Alison and Adam as they discuss the future of Central City Opera, give tips on how to get the best out of Central City whether it's your first time or your hundredth, and talk about the places Opera can take you. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org. https://centralcityopera.org/2024-festival/…

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Season 8, Episode 4 - Cecilia Violetta López, Soprano on her role as Desdemona in Othello 55:42

2 years之前55:42

55:42

On this episode, Cecilia Violetta López and Digital Marketing Manager Peter Constas Cecilia's role as Desdemona in this year's production of Othello . Cecilia dives into how her mom taught her to sing while working on a sugar beet farm, how she got her own day in Idaho, and how she acclimated to Central City's altitude. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and to buy tickets to the shows, visit us at centralcityopera.org . https://centralcityopera.org/ https://www.ceciliaviolettalopez.com/…

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Season 8, Episode 3 - Kameron Alston, Developing Artist, on his role in Romeo & Juliet 26:52

2 years之前26:52

26:52

On this episode, Developing Artist Kameron Alston and Digital Marketing Manager Peter Constas discuss Kameron's role as Tybalt in this year's production of Romeo & Juliet . Learn about one of the youngest members of the Developing Artist troupe and what it's like duel-wielding on stage. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and to buy tickets to the shows, visit us at centralcityopera.org . https://centralcityopera.org/2023-festival/ https://www.kameronalston.com/…

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Season 8, Episode 2 - Isaiah Feken, Developing Artist, on his role in Kiss Me, Kate 30:14

2 years之前30:14

30:14

On this episode, Developing Artist Isaiah Feken and Digital Marketing Manager Peter Constas discuss Isaiah's role as a "gangster" in this year's production of Kiss Me, Kate . Learn about what it's like to be on stage with Broadway legends as an opera singer, why it's more fun being the villian, and the commonalities between opera and dogs. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and to buy tickets to the shows, visit us at centralcityopera.org . https://centralcityopera.org/2023-festival/…

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Season 8, Episode 1 - Maestro John Baril & CEO Pamela Pantos on the 2023 Summer Festival 43:27

2 years之前43:27

43:27

On this episode, Music Director John Baril and Central City Opera CEO Pamela Pantos discuss the three main-stage productions being featured in this year's Summer Festival. Brush up on your Shakespeare, because this season includes productions of Romeo & Juliet, Kiss Me, Kate, and Othello . Join John and Pamela as they detail the rarity of seeing six tenors in one opera, how Cole Porter keeps the drama on the stage, and how Central City Opera is making opera relevant for contemporary audiences. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org. https://centralcityopera.org/2023-festival/…

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Season 7, Episode 8 - David Duffield, Historian, on TWO REMAIN 29:24

3 years之前29:24

29:24

On this episode, we hear from David Duffield, a historian with The Center on Colfax in Denver, Colorado. David was part of a panel of experts hosted by Central City Opera on June 12, 2022, to give perspectives on the themes within the chamber opera TWO REMAIN. I asked him to be on the podcast to dig even deeper, and he shares about LGBTQ history in Colorado and beyond, art as activism, and cultural representation. One of my favorite things he says in the interview is, “You feel a little more human when you see yourself in the artmaking.” David Duffield is from Denver and is a social studies teacher with Denver Public Schools. He helped found the Colorado LGBTQ History Project in 2014 with The Center on Colfax, focusing on Oral History, Archiving, Education, and Networking. Among the accomplishments of the History Project are over 100 oral histories, the donation of 36 archival collections to receiving institutions, the creation of lesson plans, exhibits, and public tours of queer history in Colorado, and dozens of other talks and collaborations with people around the world. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org .…

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Season 7, Episode 7 - Rebecca Caine and Diana Newman, Principals in THE LIGHT IN THE PIAZZA 45:29

3 years之前45:29

45:29

On this episode, we hear from sopranos Rebecca Caine and Diana Newman, principals in THE LIGHT IN THE PIAZZA. Rebecca plays the role of Margaret Johnson, and Diana plays the role of Margaret’s daughter Clara. This is the first time they’ve worked together, and watching them onstage, you’d think they were old friends. Rebecca shares how much she loves playing a woman of a “certain age,” and Diana talks about how she approaches Clara’s neurodivergence. You’ll hear more about how the perfect costume helps get an actor into character, how much Rebecca and Diana love being onstage with each other and their castmates, and how the Supreme Court decision that overturned Roe versus Wade influenced how they thought about this story. This interview was recorded on July 7, 2022. Canadian soprano Rebecca Caine has had a career divided between Opera and Musical Theatre, making her West End debut at age 19 as Laurey in OKLAHOMA! She then sang the role of Eliza in MY FAIR LADY on the National Tour. While at Glyndebourne Opera Festival, she was asked to join the Royal Shakespeare Company where she created the role of Cosette in LES MISERABLES . She was also part of the original cast of PHANTOM OF THE OPERA as Christine. Her long career continues to span the realms opera, musical theatre, straight theatre, and cabaret in the UK, United States, and around the world. American soprano DIANA NEWMAN brings “fresh and intense” performances to opera houses and concert stages across the United States and Europe. She has recently appeared with the Dallas Opera and the Metropolitan Opera. A recent graduate of the Lyric Opera of Chicago’s Ryan Opera Center, she returned this season for the company’s Ring Cycle. Diana was also recently a soloist with the Los Angeles Philharmonic at the Hollywood Bowl for AMERICA IN SPACE in celebration of the 50th anniversary of the Apollo 11 moon landing. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org .…

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Season 7, Episode 6 - Brandon Eldredge and Tessa McQueen on TWO REMAIN 44:58

3 years之前44:58

44:58

On this episode, we hear from conductor Brandon Eldredge and soprano Tessa McQueen about Act One of Jake Heggie and Gene Scheer’s chamber opera, TWO REMAIN. Act One focuses on the true story of Polish poet Krystyna Zywulska surviving the Holocaust – and the psychological trauma she dealt with the rest of her life. It’s based on her searing memoir of 1946, “I Survived Auschwitz.” Brandon and Tessa share more about Krystyna’s life, about how challenging it is to perform and interpret a story of this magnitude, and how important it is to keep telling these stories. Brandon Eldredge has built a broad-scoped knowledge and experience as a conductor, pianist, and operatic coach, working across the United States, Germany, and Sweden. He is CCO’s Associate Conductor and Chorus Master this summer, working on all three productions. During the year, he is on staff at Virginia Opera as Assistant Conductor and Chorus Master. Soprano Tessa McQueen is a first year Studio Artist in the Bonfils-Stanton Artists Training Program, and in addition to her role of Krystyna Zywulska in TWO REMAIN, she is in the chorus of Die Fledermaus and several opera scenes for the Short Works performances. Tessa received her Bachelor of Music degree in Voice Performance from Oklahoma City University and will begin her Master’s degree at Rice University this fall. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org .…

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Season 7, Episode 5 - Dan Wallace Miller and Curt Olds on TWO REMAIN 35:45

3 years之前35:45

35:45

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Season 7, Episode 4 - Edina Hiser, Costume Designer for THE LIGHT IN THE PIAZZA 39:46

3 years之前39:46

39:46

On this episode, we pull back the curtain and hear from the Costume Designer for THE LIGHT IN THE PIAZZA, Edina Hiser. There are a LOT of costumes in this production, and Edina gives us the insights into the symbolism she embeds in the design, the anatomy of a quick change – since there are so many! – how she is able to engineer costumes to function efficiently yet not alter their authenticity, and the joy she gets from helping performers become more comfortable with their body images through well designed costumes. Edina Hiser graduated from the University of Southern California with a Bachelor of Fine Arts degree in theatre design, and she is now the Resident Costume Designer for the Thornton School of Music at USC. As a designer, she is bold, colorful, and collaborative, with a passion for storytelling and a talent for creative problem-solving. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org .…

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Season 7, Episode 3 - Kira Dills-DeSurra and William Ferguson, Principals in DIE FLEDERMAUS 42:34

3 years之前42:34

42:34

On this episode, we hear from two principal singers in DIE FLEDERMAUS: mezzo-soprano Kira Dills-DeSurra who plays the role of Prince Orlofsky, and tenor William Ferguson, who plays the role of Eisenstein. Both Kira and Will are seasoned comedic performers, and their healthy senses of humor are on full display during this episode. Will and Kira talk about the magic of live performance and how much the audience influences them, how April Fools’ is a recognized holiday in both their families, how they got into opera in the first place, and the role that Central City Opera plays in the context of opera in America. Kira Dills-DeSurra is a vibrant American mezzo-soprano whose magnetic stage presence communicates effortless charm and truth. A champion of new and rarely performed works, Kira has appeared in many American premieres, and she also cultivates skills in musical improvisation and circus arts as part of her broad-ranging palate of storytelling tools. She is a graduate of Roosevelt University and the University of Southern California. Tenor William Ferguson has always pushed the boundaries of opera performance through his exploration of new repertoire and through the commitment of his characterizations. A Juilliard graduate, he has sung with Santa Fe Opera, Opera Australia, New York City Opera, Salzburger Landestheater, Opéra de Québec, Opera Philadelphia, Opera Theatre of St. Louis, Dallas Opera and The Metropolitan Opera, as well as symphonies around the world. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org .…

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Season 7, Episode 2 - Joachim Schamberger and John Baril on DIE FLEDERMAUS 41:40

3 years之前41:40

41:40

On this episode, we dive deep into DIE FLEDERMAUS with stage director Joachim Schamberger and conductor John Baril. While on the surface, this operetta may seem like nothing but champagne bubbles and fun, Joachim and John reveal the complexities of the story and music that make this operetta timeless. Joachim is an acclaimed stage director and video designer who is currently Director of Opera at Northwestern University in Chicago. He is in demand as a director, designer, and teacher throughout the world. DIE FLEDERMAUS is his third production with Central City Opera. John Baril, Principal Conductor, is also the Music Director of Central City Opera, and this is his 30th year with the company. He got his start as Festival Scheduler back in 1992. John has conducted throughout the United States in the genres of opera, ballet, symphonic works, and music theatre. Both John and Joachim have been featured on the Central City Opera Podcast in past seasons – visit ccopodcast.org to find their episodes and learn more about them. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org . To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.…

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