In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S4 Ep 8: Dreams - A Nightmare on Elm Street
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内容由The Monstrous Feminine提供。所有播客内容（包括剧集、图形和播客描述）均由 The Monstrous Feminine 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
This month we’re tackling dreams in horror. Our first film is the seminal 1984 horror ‘A Nightmare on Elm Street’, directed by Wes Craven. 💤🛏️🩸😵📞👅 In this episode we talk about how this film set the bar for the dream horror canon. We also debate the Freudian and monstrous-feminine readings of this film, and ponder how modern audiences might receive this film differently. Finally, we discuss how iconic slasher killers have become folkloric figures in popular culture. You can find us on most platforms @themonstrousfemininepodcast, and on Twitter, @themonfempod. Subscribe to our YouTube Channel, and rate and review us on Apple Podcasts and Spotify. Engage with our content across all platforms to be our next ‘Witch of the Week’, and pledge to us on Patreon! ✨ The Coven: Mila, Louisa, Tyia and Zeba Theme and ‘Witch of the Week’ Music by: Sebastian Pizzaro *CONTENT WARNING* Violence, murder, death, discussions of sexual assault, paedophilia, child abuse and castration
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Manage episode 420174382 series 2835593
内容由The Monstrous Feminine提供。所有播客内容（包括剧集、图形和播客描述）均由 The Monstrous Feminine 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
This month we’re tackling dreams in horror. Our first film is the seminal 1984 horror ‘A Nightmare on Elm Street’, directed by Wes Craven. 💤🛏️🩸😵📞👅 In this episode we talk about how this film set the bar for the dream horror canon. We also debate the Freudian and monstrous-feminine readings of this film, and ponder how modern audiences might receive this film differently. Finally, we discuss how iconic slasher killers have become folkloric figures in popular culture. You can find us on most platforms @themonstrousfemininepodcast, and on Twitter, @themonfempod. Subscribe to our YouTube Channel, and rate and review us on Apple Podcasts and Spotify. Engage with our content across all platforms to be our next ‘Witch of the Week’, and pledge to us on Patreon! ✨ The Coven: Mila, Louisa, Tyia and Zeba Theme and ‘Witch of the Week’ Music by: Sebastian Pizzaro *CONTENT WARNING* Violence, murder, death, discussions of sexual assault, paedophilia, child abuse and castration
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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