For the first time, Skip Intro goes to The Paris Theater in Manhattan to sit down with Rebecca Ferguson who stars as Captain Olivia Walker in A HOUSE OF DYNAMITE . Directed by Oscar-winning Kathryn Bigelow, the film was screened this month at the historic 535-seat theater — NYC’s longest-running arthouse cinema. Ferguson shares what it was like to read the powerful script written by Noah Oppenheim and how working with Bigelow was unlike any other experience on set. The Mission Impossible actor also talks about jumping off the roof of the Vienna State Opera with Tom Cruise, Denis Villeneuve’s love of veils and jingle jangles in Dune , and teases Netflix’s upcoming Peaky Blinders movie with Cillian Murphy. Video episodes available on Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts .…
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Program Notes: Tchaikovsky’s Rococo Variations
Manage episode 459645068 series 3428443
内容由The Florida Orchestra提供。所有播客内容（包括剧集、图形和播客描述）均由 The Florida Orchestra 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Variations on a Rococo Theme is the closest Tchaikovsky ever came to writing a cello concerto. Scored for a reduced orchestra, the Variations assume a chamber-like texture and balance the sweetness of the classical style with a romantic warmth, the soloist never leaving the spotlight − much less having a moment to rest. The program opens with the tone poem Elegia Andina by Gabriele Lena Frank. She was born hearing impaired, yet the Washington Post recently named her one of the 35 most significant women composers in history. Kodaly’s began collecting tunes for his Dances of Galánta while living in the town of Galánta, and the music captures the boisterous nature of the dances that came from them. Rounding out the program is Bizet’s Carmen Suites Nos. 1 & 2. The tunes are played in reverse order of the opera, but no matter − their infectious charm works in any arrangement.
These audio program notes include music excerpts.
Masterworks 6 of the 24/25 Season
Performances Jan 24 & 25, 2025
章节
1. Program Notes: Tchaikovsky’s Rococo Variations (00:00:00)
2. Intro (00:00:07)
3. Elegía Andina (00:00:58)
4. Variations on a Rococo Theme (00:04:08)
5. Dances of Galánta (00:06:00)
6. Carmen Suites 1 & 2 (00:08:14)
7. Key Things (00:09:28)
48集单集
分享Manage episode 459645068 series 3428443
内容由The Florida Orchestra提供。所有播客内容（包括剧集、图形和播客描述）均由 The Florida Orchestra 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Variations on a Rococo Theme is the closest Tchaikovsky ever came to writing a cello concerto. Scored for a reduced orchestra, the Variations assume a chamber-like texture and balance the sweetness of the classical style with a romantic warmth, the soloist never leaving the spotlight − much less having a moment to rest. The program opens with the tone poem Elegia Andina by Gabriele Lena Frank. She was born hearing impaired, yet the Washington Post recently named her one of the 35 most significant women composers in history. Kodaly’s began collecting tunes for his Dances of Galánta while living in the town of Galánta, and the music captures the boisterous nature of the dances that came from them. Rounding out the program is Bizet’s Carmen Suites Nos. 1 & 2. The tunes are played in reverse order of the opera, but no matter − their infectious charm works in any arrangement.
These audio program notes include music excerpts.
Masterworks 6 of the 24/25 Season
Performances Jan 24 & 25, 2025
章节
1. Program Notes: Tchaikovsky’s Rococo Variations (00:00:00)
2. Intro (00:00:07)
3. Elegía Andina (00:00:58)
4. Variations on a Rococo Theme (00:04:08)
5. Dances of Galánta (00:06:00)
6. Carmen Suites 1 & 2 (00:08:14)
7. Key Things (00:09:28)
48集单集
所有剧集
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This Masterworks program celebrates Baroque and beyond with music by Handel, Haydn and Mozart. Handel’s Water Music — commissioned for King George’s 1717 Thames celebration — sparkles with regal pomp, innovative use of horns and vibrant dance movements. Mozart takes audiences on an irrepressible romp in the Overture to The Marriage of Figaro , which perfectly captures the opera’s comic energy. It's a different feel from his elegant Ballet Music from Idomeneo , a French-style suite that closes a tragic opera with festive dances, rich orchestration and the first use of clarinets in a Mozart opera. Music from Haydn's Uninhabited Island shows his symphonic genius, creating dramatic tension between calm and storm. This episode includes music excerpts to illustrate each work. Masterworks 4 of the 25/26 Season Performances November 22 & 23, 2025…
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Explore three lush, evocative works that celebrate nature and the power of storytelling through music. Start with a day-long mountain hike in Richard Strauss’ An Alpine Symphony, a grand tone poem with a massive orchestra — including wind machine and thunder sheet — to portray everything from sunrise to a thunderstorm. Vaughan Williams’ The Lark Ascending offers a serene contrast: a pastoral 13-minute piece where the solo violin soars like a lark in flight, reflecting a deep love of the English countryside. The program closes with Ottorino Respighi’s Pines of Rome , a colorful and cinematic four-movement tone poem that evokes Roman landscapes, from playful gardens to moonlit hills. It ends with a powerful march of ancient soldiers on the Appian Way — a thunderous finale with the orchestra at full tilt. This podcast includes music excerpts to illustrate each piece. Masterworks 1 of the 25/26 Season Performances October 3 & 5, 2025…
Art comes to life. The great orchestra showpiece Pictures at an Exhibition started out as an extended piano suite in 10 movements by Mussorgsky. That is until a half-century later, when Maurice Ravel had the good sense to see its true potential for a full orchestra. His orchestration has been a showstopper ever since. With a heady, cinematic feel, Korngold’s Violin Concerto pulls from his career as a staff composer for Warner Brothers, where he wrote music for 22 films and won two Oscars. Rounding out the program is Paul Hindemith’s Mathis der Maler , inspired by 16th-century artist Matthias Grünewald. These audio program notes include music excerpts. Masterworks 12 of the 24/25 Season Performances April 26 & 27, 2025…
Is it possible to find someone who cannot hum a bit of Vivaldi’s The Four Seasons -- arguably one of the most enduring works of all time? Vivaldi presents a musical travelogueof spring, summer, autumn and winter, complete with bird songs, shimmering creeks, a thunderstorm, peasant’s dance and a freezing ice storm. It’s exuberant and captivating every time. Another masterpiece on the program is Mozart’s Symphony No. 39 , one of three symphonies that he completed in just six weeks in the summer of 1788. The opening has been described as “so majestic that it so surprised even the coldest, most insensitive listener.” These audio program notes include music excerpts. Masterworks 11 of the 24/25 Season Performances April 4 & 5, 2025…
This program spotlights an unusual instrument for a classical program: the saxophone. For Prokofiev’s Romeo and Juliet , the tenor saxophone makes a rare appearance in a symphony orchestra with the theme representing Juliet. Of Prokofiev’s nine ballet scores, this is his finest – even though he originally wrote a happy ending to Shakespeare’s tragedy. An “altered” version was performed, however. The saxophone is front and center for A Kind of Trane Saxophone Concerto, written as an homage to the great jazz saxophonist John Coltrane . The concert begins with John Adams’ Short Ride in a Fast Machine , a four-minute jaunt inspired by a terrifying ride in a Ferrari. These audio program notes include music excerpts. Masterworks 10 of the 24/25 Season Performance Mar 30, 2025…
Beethoven composed his Violin Concerto in 1806, when he was deaf. From the onset, the music unfolds with a sense of spaciousness, its character more graceful than frenetic. This work is not about power and bravura but poise and spirituality. At nearly 45 minutes, it also requires a lot of stamina for the soloist. Also on the program are Šárka and Die Moldau from Smetana’s Ma Vlast , a set of six tone poems depicting life and nature in Bohemia. Die Moldau is Smetana’s most-performed work, as it so perfectly captures the flow of a great Bohemian river. The concert ends with Janáček’s Taras Bulba, which relies on contrasting sonorities, and his use of dissonance embraces rather than repels – no small feat. These audio program notes include music excerpts. Masterworks 9 of the 24/25 Season Performances March 14, 15 & 16, 2025…
For some listeners, Tchaikovsky’s evergreen Piano Concerto No. 1 is overplayed and overwrought. For others, it never fails to thrill with its embraceable tunes and striking rhythmic flourish. No, Tchaikovsky wasn’t subtle, and this piece is supercharged with pulsating sentiment. Meanwhile, the music of English composer William Walton is seldom heard in American concert halls, so a performance of his Belshazzar’s Feast is a treat. This brilliant cantata for orchestra, chorus and baritone soloist is based on the Book of Daniel and Psalm 137 that results in an epic, dramatic showstopper. These audio program notes include music excerpts. Masterworks 8 of the 24/25 Season Performances Feb 22 & 23, 2025…
A concert immersed in the sea. It opens with Garth Neustadter’s Seaborne, a film with stunning images of the sea set to music, performed by the Percussion Collective. The work explores water from the air, surface and underwater vantage points. Then the concert flows to Sibelius’ The Oceanides , which has been described as “the finest evocation of the sea that has ever been produced in music.” In Debussy’s La Mer , he pays tribute to the sea in a lavish three-movement masterpiece that doesn’t depict it in a literal sense, but through an interplay of light, shadow and sheer orchestral force. These audio program notes include music excerpts. Masterworks 7 of the 24/25 Season Performances Feb 7 & 8, 2025…
Variations on a Rococo Theme is the closest Tchaikovsky ever came to writing a cello concerto. Scored for a reduced orchestra, the Variations assume a chamber-like texture and balance the sweetness of the classical style with a romantic warmth, the soloist never leaving the spotlight − much less having a moment to rest. The program opens with the tone poem Elegia Andina by Gabriele Lena Frank. She was born hearing impaired, yet the Washington Post recently named her one of the 35 most significant women composers in history. Kodaly’s began collecting tunes for his Dances of Galánta while living in the town of Galánta, and the music captures the boisterous nature of the dances that came from them. Rounding out the program is Bizet’s Carmen Suites Nos. 1 & 2 . The tunes are played in reverse order of the opera, but no matter − their infectious charm works in any arrangement. These audio program notes include music excerpts. Masterworks 6 of the 24/25 Season Performances Jan 24 & 25, 2025…
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Brahms’ idyllic Symphony No. 2 radiates warmth – until an explosion of brass announces one of the most exciting endings in music. In Grieg’s impassioned Piano Concerto , the opening rumble of timpani sends the piano on a flourish of unforgettable melodies. This fragrant and impassioned work is among the most performed – and recorded – of any music in the repertoire. Rounding out the program is Samuel Coleridge-Taylor’s fresh and energetic Ballade for Orchestra , composed when was just 23. These audio program notes include music excerpts. Masterworks 4 of the 24/25 Season Performances Nov 22 & 23, 2024…
The concert pairs two of the most famous openings in music: Beethoven’s Symphony No. 5 and Richard Strauss’ Also sprach Zarathustra (Theme from 2001: A Space Odyssey ). In Beethoven’s Fifth, it’s up to you, the listener, to interpret those four iconic bursts of sound – da da da dum! Fate knocking at the door? Victory over tyranny? A deaf composer shaking his fist at his lot in life? In Zarathustra , you’ll get a true feel for Strauss’ flair for dramatic beginnings in his “Mountain Sunrise.” These audio program notes include music excerpts. Masterworks 3 of the 24/25 Season Performances Nov 1-3, 2024…
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SoundWaves with The Florida Orchestra
Ravel’s Bolero begins quietly and ends demonically. The repetition – a maddening rat-a-tat-tat of the snare drum – may sound simple, but the gradual crescendo builds into a frenzy of intensity and brilliant color. Ravel himself underestimated the appeal of the piece, calling it “orchestration without music.” Instead of sliding into oblivion, Bolero enjoys unflagging popularity still today. Also on the program: De Falla’s Nights in the Gardens of Spain is full of mystery, perfumed by the Alhambra. Chabrier’s flamboyant España builds to a fiery climax. Villa-Lobos’ exotic Choros No. 10 reflects the atmosphere of a rainforest. Rounding out the concert is Borodin’s rousing Polovtsian Dances . Masterworks 1 of the 24/25 Season Performances Oct 5 & 6, 2024…
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SoundWaves with The Florida Orchestra
Mahler knew how to think big. For his Symphony No. 2, “Resurrection ,” he stuffed the stage with 270 musicians, including 10 trumpets and 10 horns in the original score. It took Mahler five years to complete the symphony, which stretches more than 80 minutes and holds a special place among musicians and audiences. Today, millions of people have heard the Resurrection for the first time not in the concert hall, but in the movie Maestro , the 2023 biopic on Leonard Bernstein, as portrayed by Bradley Cooper. The work is a journey from darkness to light, and follows a similar path of Beethoven’s Symphony No. 5. “It’s probably the most impressive piece of music you can hear in concert, and the most glorious climax ever written,” says Florida Orchestra Music Director Michael Francis. These program notes include music excerpts. Masterworks 13 of the 23/24 Season Performances May 25 & 26, 2024…
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SoundWaves with The Florida Orchestra
The power of friendship. Edward Elgar’s most popular work, Enigma Variations , was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto , the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances. These program notes include music excerpts. Masterworks 12 of the 23/24 Season Performances May 17-19, 2024…
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SoundWaves with The Florida Orchestra
All in the family. From a tiny apartment around the world to a chance audition at The Florida Orchestra, family has been a driving force for Principal Cellist Yoni Draiblate. Is he bringing up the next Yo-Yo Ma? Time will tell. Even Brahms’ Double Concerto, which Yoni performs this weekend, cannot escape family drama.…
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SoundWaves with The Florida Orchestra
We’re taking a tour of France in the spring. Magnifique! Saint-Saens’ Organ Symphony – used so effectively in the 1995 movie Babe – is a lush masterpiece that builds and builds until … wait for it … the organ is let loose in the finale. Fauré’s Requiem creates a place of peace and serenity with rich, soulful melodies, featuring The Master Chorale of Tampa Bay. The vibrant energy of Lili Boulanger’s Of a Spring Morning begins the concert. These program notes include music excerpts. Masterworks 11 of the 23/24 Season Performances April 26-28, 2024…
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SoundWaves with The Florida Orchestra
Antonin Dvorak’s Ninth Symphony is as big a deal today as it was in 1893, when it premiered with huge fanfare at Carnegie Hall in New York. The Ninth was special. Major composer. Written in America. Inspired by African-American spirituals. No wonder it prompted one of the most elaborate music reviews in the history of newspapers, a 3,000-word essay. In Mozart’s Sinfonia Concertante for violin and viola, the sublime middle movement is dipped in grief, but all sadness vanishes in the presto finale. The concert begins with Berlioz’s Roman Carnival Overture – full-throttled music, virtuosic and splashy – from a colorful composer who would make a delightful dinner party guest. These program notes include music excerpts. Masterworks 10 of the 23/24 Season Performances April 12-14, 2024…
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SoundWaves with The Florida Orchestra
This is the symphony that changed all symphonies, Beethoven’s monumental Third. No one had heard anything like it before. The work was originally called “Bonaparte” after Napoleon, but a disgruntled Beethoven hastily changed the title to “Eroica,” meaning heroic. Shostakovich’s Piano Concerto No. 2 breaks free from oppression after the death of Stalin. The program starts with the evocative Chairman Dances: Foxtrot for Orchestra , composed by John Adams, one of the most performed American composers. A common thread links the three works on the program, each in some way stimulated by the politics of its time. These program notes include music excerpts. Masterworks 9 of the 23/24 Season April 5-7, 2024…
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SoundWaves with The Florida Orchestra
Cellist, conductor, Robin Hood of Fried Chicken For TFO Associate Principal Cello Victor Minke Huls, his life in music started way before he was born. And it keeps getting better. From homework in the concert hall to conducting, salsa dancing, an Irish family band and his secret career as a counter tenor, the Florida native keeps adding to an amazing life. Dare we mention that unfortunate job in the school cafeteria? With. All. That. Food. There’s a lot to look forward to in his new role with The Florida Orchestra, but a big moment will be performing Strauss’ Ein Heldenleben. He’ll share the stage with someone very special.…
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SoundWaves with The Florida Orchestra
A heroic concert indeed. Beethoven’s famed Piano Concerto No. 5, “Emperor,” composed when he was deaf, is a stunning example of Beethoven’s stubborn nature. He overcame his liability to create a work of unprecedented depth and expression. The adagio is simply sublime. “The concerto encapsulates the heroic struggle of the individual,’’ says TFO Music Director Michael Francis, “and how one determined soul can influence the world around him to a magnificent degree.’’ Rounding out the program is Richard Strauss’ Ein Heldenleben, or A Hero’s Life. In this case the hero is, well, Strauss. He was an enormous talent with an ego to match. The muscular work also is a great showcase for the orchestra. These program notes include music excerpts. Masterworks 8 of the 23/24 Season Performances Feb. 23-25, 2024…
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SoundWaves with The Florida Orchestra
This program is packed with American greats in honor of Gershwin’s Rhapsody in Blue, a smash hit since its debut 100 years ago. “I wanted to put it on a pedestal because it deserves to be there,” says TFO Music Director Michael Francis. The concert starts with jazzy fanfare Herald, Holler & Hallelujah composed by Wynton Marsalis before launching into Mason Bates’ Alternative Energy, which goes techno with a conductor’s laptop and monitors for the musicians, among other surprises. Bernstein’s Three Dance Episodes from On the Town follows three sailors on a one-day shore leave in New York. And serious Russian master Stravinsky shows his quirky American side with his jazzy, bluesy Ebony clarinet concerto, featuring Natalie Hoe. These program notes include music excerpts. Masterworks 7 of the 23/24 Season Performances Feb. 17 & 18, 2024…
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SoundWaves with The Florida Orchestra
Tchaikovsky packs a lot of emotion into his Sixth: “Without exaggeration, I have put my entire soul into this symphony.” Less than 10 days after its premiere, Tchaikovsky died. This symphony would become his requiem, a last will and testament of a composer whose music comes so directly from the heart. Barber’s Violin Concerto starts out lush and lyrical before finishing with a ride wild at breakneck speed. The program begins with an orchestral version of Valentin Silvestrov’s meditative Prayer for Ukraine . These program notes include music excerpts. Masterworks 6 of the 23/24 Season Performances: Jan. 19 & 20, 2024…
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SoundWaves with The Florida Orchestra
The word of the day is hurdy-gurdy. Which, in case you don’t know, is a medieval stringed instrument with an attached keyboard. And an inspiration for two pieces on this program written 200 years apart – Missy Mazzoli’s contemporary Sinfonia (For Orbiting Spheres) and Mozart’s charming Violin Concerto No. 4 – though in very different styles. The concert also takes audiences to the famous Fountains of Rome by Respighi and On the Waterfront Symphonic Suite by Leonard Bernstein. These program notes include music excerpts. Masterworks 5 of the 23/24 Season Performances: Jan. 6 & 7, 2024…
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SoundWaves with The Florida Orchestra
Brahms was incredibly hard on himself. Plus, he couldn’t seem to shake the shadow of Beethoven and his incredible success. That’s why Brahms struggled for more than 14 years to complete his first symphony, which premiered when he was 43 years old. It was worth the wait –widely considered to be one of the most significant symphonies ever written. In contrast, Chopin composed his Piano Concerto No. 2 when he was just 19, yet delivered some of his most heartfelt melodies. Starting off the concert is Wagner’s Flying Dutchman Overture, which perfectly captures the turmoil of a roiling ocean and the fear of the travelers. These program notes include music excerpts. Masterworks 4 of the 23/24 Season Performances: Nov. 17-19, 2023…
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SoundWaves with The Florida Orchestra
The concert that takes off “faster than a speeding bullet” with Michael Daugherty’s Metropolis Symphony , inspired by the adventures of Superman. Music Director Michael Francis calls it “Dvorak with a dash of Marvel comics thrown in.” Then you’ll instantly recognize Rachmaninoff’s painfully beautiful Rhapsody on a Theme of Paganini , often featured in romantic films and pop culture. The program concludes with Ravel’s La Valse , a passionate waltz that Ravel himself described as “a dancing, whirling, almost hallucinatory ecstasy.” These program notes include music excerpts. Masterworks 3 of the 23/24 Season Performances: Oct. 28 & 29, 2023…
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SoundWaves with The Florida Orchestra
Aaron Copland’s Appalachian Spring was a breakthrough for its time. The music resonated across America like few works of its day, and not surprisingly, won Copland the Pulitzer Prize a year after its premiere. Also on the program are Dvorak’s Slavonic Dances , Op. 72, a continuation of his wildly popular earlier dances, which made him a household name overnight and helped pay the bills. Starting off the concert is a selection of American spirituals such as Were You There and Sometimes I Feel Like a Motherless Child, with baritone Jubilant Sykes. These program notes include music excerpts. Masterworks 2 of the 23/24 Season Performances: Oct. 21 & 22, 2023…
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