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内容由Marina Vidor and Philharmonia Orchestra提供。所有播客内容(包括剧集、图形和播客描述)均由 Marina Vidor and Philharmonia Orchestra 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Pre-Concert Talk: Martin Sixsmith (Series Advisor) in conversation with Marina Frolova-Walker (Scholar)

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Manage episode 201562723 series 1170957
内容由Marina Vidor and Philharmonia Orchestra提供。所有播客内容(包括剧集、图形和播客描述)均由 Marina Vidor and Philharmonia Orchestra 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.

Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.

Works discussed:

Mosolov: Iron Foundry

Prokofiev: Piano Concerto No. 3

Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018. https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917

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96集单集

Artwork
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Manage episode 201562723 series 1170957
内容由Marina Vidor and Philharmonia Orchestra提供。所有播客内容(包括剧集、图形和播客描述)均由 Marina Vidor and Philharmonia Orchestra 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.

Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.

Works discussed:

Mosolov: Iron Foundry

Prokofiev: Piano Concerto No. 3

Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018. https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917

  continue reading

96集单集

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