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A Damn Fine Cup of Culture Podcast #86: Stealth remakes

 
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Manage episode 449281728 series 3042954
内容由A Damn Fine Cup of Culture提供。所有播客内容(包括剧集、图形和播客描述)均由 A Damn Fine Cup of Culture 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For this year’s summer series, A Damn Fine Cup of Culture focused on remakes, from men who knew too much and trucks bearing explosive goods to planets that create their own remakes and finally to stars being born and dying. But these are the obvious remakes (whatever their directors might say, depending on which day of the week it is): what about iconic films – that almost no one knows to be remakes? In this episode, Julie and Alan get together to talk about two films that are infinitely more famous than the originals that preceded them: Some Like It Hot (1959) and The Maltese Falcon (1941). Why do these films escape the frequent criticism of remakes: that originality is dead and that Hollywood only knows how to repeat itself? How do the originals compare to the more iconic later films? And what’s the key to making a remake that will eclipse the film(s) that came before?

You can also download the podcast at the following link:

A Damn Fine Cup of Culture Podcast #86: Stealth remakes

  continue reading

98集单集

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Manage episode 449281728 series 3042954
内容由A Damn Fine Cup of Culture提供。所有播客内容(包括剧集、图形和播客描述)均由 A Damn Fine Cup of Culture 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For this year’s summer series, A Damn Fine Cup of Culture focused on remakes, from men who knew too much and trucks bearing explosive goods to planets that create their own remakes and finally to stars being born and dying. But these are the obvious remakes (whatever their directors might say, depending on which day of the week it is): what about iconic films – that almost no one knows to be remakes? In this episode, Julie and Alan get together to talk about two films that are infinitely more famous than the originals that preceded them: Some Like It Hot (1959) and The Maltese Falcon (1941). Why do these films escape the frequent criticism of remakes: that originality is dead and that Hollywood only knows how to repeat itself? How do the originals compare to the more iconic later films? And what’s the key to making a remake that will eclipse the film(s) that came before?

You can also download the podcast at the following link:

A Damn Fine Cup of Culture Podcast #86: Stealth remakes

  continue reading

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