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I TOO SING AMERICA SERIES: Rising Opera Star Bass Soloman Howard

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Manage episode 157299177 series 1217544
内容由Patrick D McCoy提供。所有播客内容(包括剧集、图形和播客描述)均由 Patrick D McCoy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Soloman Howard joins the show to speak about his trajectory in the arena of opera. The Morgan University and Manhattan School of Music graduate is currently one of Washington National Opera's rising stars and is set to make his Metropolitan Opera debut this fall! Currently a member of Washington National Opera’s Domingo-Cafritz Young Artist Program,a program of the John F. Kennedy Center for the Performing Arts, Soloman Howard is garnering superlatives from the press for his vivid performances on the opera and concert stages. His voice is called “sonorous” by TheNew York Times, “superhuman” by The Denver Post, and “spectacular” by Maryland Theatre Guide. Performances of the 2013-14 season include Sarastro in The Magic Flute conducted by Washington National Opera’s Music Director Philippe Auguin, Moser in Verdi’s I Masnadieri with Washington Concert Opera led by Music Director Antony Walker, Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall with Kent Tritle and the Oratorio Society of New York, and a role debut as Colline in La bohème with North Carolina Opera conducted by Robert Moody. Read more
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Manage episode 157299177 series 1217544
内容由Patrick D McCoy提供。所有播客内容(包括剧集、图形和播客描述)均由 Patrick D McCoy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Soloman Howard joins the show to speak about his trajectory in the arena of opera. The Morgan University and Manhattan School of Music graduate is currently one of Washington National Opera's rising stars and is set to make his Metropolitan Opera debut this fall! Currently a member of Washington National Opera’s Domingo-Cafritz Young Artist Program,a program of the John F. Kennedy Center for the Performing Arts, Soloman Howard is garnering superlatives from the press for his vivid performances on the opera and concert stages. His voice is called “sonorous” by TheNew York Times, “superhuman” by The Denver Post, and “spectacular” by Maryland Theatre Guide. Performances of the 2013-14 season include Sarastro in The Magic Flute conducted by Washington National Opera’s Music Director Philippe Auguin, Moser in Verdi’s I Masnadieri with Washington Concert Opera led by Music Director Antony Walker, Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall with Kent Tritle and the Oratorio Society of New York, and a role debut as Colline in La bohème with North Carolina Opera conducted by Robert Moody. Read more
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