Artwork

内容由African American Studies and Department of African American Studies at Princeton University提供。所有播客内容(包括剧集、图形和播客描述)均由 African American Studies and Department of African American Studies at Princeton University 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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16 - Black Bodies, White Gold

26:30
 
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Manage episode 232366744 series 1274693
内容由African American Studies and Department of African American Studies at Princeton University提供。所有播客内容(包括剧集、图形和播客描述)均由 African American Studies and Department of African American Studies at Princeton University 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode, Prof. Eddie Glaude discusses with Professor Anna Arabindan-Kesson her application of research on textiles, music, and photography for her upcoming work Black Bodies White Gold. Professor Kesson, an Art Historian at heart, reveals the history and connections of blacks and cotton and their turbulent history across America and Europe. Not only does she examine the economic equivalence, in which enslaved people and cotton were commodities in the eyes of the law, but she also explores how it physically framed the way a slave looked, and in turn felt. Ultimately with this research, her goal is to examine how this history complicates what it means to be free and black in today’s world.

  continue reading

27集单集

Artwork
icon分享
 
Manage episode 232366744 series 1274693
内容由African American Studies and Department of African American Studies at Princeton University提供。所有播客内容(包括剧集、图形和播客描述)均由 African American Studies and Department of African American Studies at Princeton University 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this episode, Prof. Eddie Glaude discusses with Professor Anna Arabindan-Kesson her application of research on textiles, music, and photography for her upcoming work Black Bodies White Gold. Professor Kesson, an Art Historian at heart, reveals the history and connections of blacks and cotton and their turbulent history across America and Europe. Not only does she examine the economic equivalence, in which enslaved people and cotton were commodities in the eyes of the law, but she also explores how it physically framed the way a slave looked, and in turn felt. Ultimately with this research, her goal is to examine how this history complicates what it means to be free and black in today’s world.

  continue reading

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