YOUNG WOMAN AND THE SEA Art Of The Cut podcast

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Cinema Steve Hullfish

内容由Steve Hullfish, ACE, Steve Hullfish, and ACE提供。所有播客内容（包括剧集、图形和播客描述）均由 Steve Hullfish, ACE, Steve Hullfish, and ACE 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

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YOUNG WOMAN AND THE SEA

1d ago 53:00

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内容由Steve Hullfish, ACE, Steve Hullfish, and ACE提供。所有播客内容（包括剧集、图形和播客描述）均由 Steve Hullfish, ACE, Steve Hullfish, and ACE 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

Today on Art of the Cut, Úna Ní Dhonghaíle, ACE discusses editing Disney’s Young Woman and the Sea.

Una was first nominated for an editing BAFTA 15 years ago. And again in 2013 and THREE TIMES in 2015. She won a BAFTA for Three Girls and was nominated for another BAFTA and an ACE Eddie for editing Kenneth Branagh’s Belfast which we discussed right here on Art of the Cut. She was also on Art of the Cut previously for her work on The Crown and for Death on the Nile.

Today we’re going to be talking about the importance of taking time to build up character for big emotional payoffs later, jump-cutting for emotion, and discovering that collapsing or compressing scenes can reveal new things, dramatically.

If you'd like to follow along with this interview and read the transcription as well as see clips, trailers and photos, check out the blog version of the podcast on Boris's site:

borisfx.com/blog/aotc.

… continue reading

125集单集

#Cinema #Steve Hullfish

Artwork

YOUNG WOMAN AND THE SEA

published 1d ago

分享

MP3•单集首页

内容由Steve Hullfish, ACE, Steve Hullfish, and ACE提供。所有播客内容（包括剧集、图形和播客描述）均由 Steve Hullfish, ACE, Steve Hullfish, and ACE 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

Today on Art of the Cut, Úna Ní Dhonghaíle, ACE discusses editing Disney’s Young Woman and the Sea.

Una was first nominated for an editing BAFTA 15 years ago. And again in 2013 and THREE TIMES in 2015. She won a BAFTA for Three Girls and was nominated for another BAFTA and an ACE Eddie for editing Kenneth Branagh’s Belfast which we discussed right here on Art of the Cut. She was also on Art of the Cut previously for her work on The Crown and for Death on the Nile.

Today we’re going to be talking about the importance of taking time to build up character for big emotional payoffs later, jump-cutting for emotion, and discovering that collapsing or compressing scenes can reveal new things, dramatically.

If you'd like to follow along with this interview and read the transcription as well as see clips, trailers and photos, check out the blog version of the podcast on Boris's site:

borisfx.com/blog/aotc.

… continue reading

125集单集

#Cinema #Steve Hullfish

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