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BONUS POD: How Rick Morton lost it all before hitting #1
Manage episode 312485386 series 3236510
内容由Jay Swanson and Richard Bilkey提供。所有播客内容（包括剧集、图形和播客描述）均由 Jay Swanson and Richard Bilkey 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Rick Morton is the host of San Diego's highest rated breakfast morning show, Hey Morton!, on radio Z90. But Rick's career path has been anything but smooth.
He started at the very bottom of the radio food chain, doing everything he could to get his chance on air. From 3am radio slots to driving around in a giant boombox, rising through the ranks took grit. And just as he made it to the top, his ego pushed him right over the edge. His path back to #1 would cost him everything, including trading his post-show beach time in Southern California for the frozen valleys of Southern Idaho.
Jay and his sister, Kaarin Howard, met Rick in his studio in San Diego to talk about navigating the extreme highs and lows of an "on air" career, and why you should never try to pull one over on NSYNC fans.
You can follow Rick Morton on Instagram or Twitter at @Rickz903.
You can follow Kaarin on Instagram at @kaarins and on Twitter at @studiokaarin.
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CREDIT WHERE CREDIT IS DUE
Building the Oracle posts on the 1st and 15th of every month. It is hosted by Jay Swanson and Richard Bilkey. You can tweet at us on @jayonaboat and @rich_bilkey, find us on Instagram at @jayswanson and @rich_bilkey and follow Jay on YouTube.
Our Super Patrons at the time of recording were Kevin, Karin Bates, Mystery Man, Susan French, Dixie Rose, David Guy, figures.seven.three, Steve and Jane Baker. You guys all rock.
This episode was produced by Zach Egan.
Our theme music is "Glory" and our ad music is "Light," both by David Cutter.
We record everything on a Rode Procaster and mix in Adobe Audition and/or Audacity depending on how out of our workflow we've fallen.
The show's art is from Jay's book Into the Nanten, illustrated by Nimit Malavia.
Gustave the dog sleepily protects us every week as we record.
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