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内容由Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology提供。所有播客内容(包括剧集、图形和播客描述)均由 Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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5. Hiddo Dhawr: Singing Love in(to) Somaliland, by Christina Woolner

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Manage episode 154262197 series 1118097
内容由Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology提供。所有播客内容(包括剧集、图形和播客描述)均由 Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Opened in 2014, Hiddo Dhawr is Somaliland’s first and only live music venue to operate since the 1988 civil war, which decimated the capital Hargeysa, and displaced the artistic community. In this episode, social anthropology PhD candidate Christina Woolner visits Hiddo Dhawr – which specializes in the performance of acoustic music popular before the war – to explore what it means to sing, and particularly about love, in contemporary Hargeysa. Conversations with the venue’s founder Sahra Halgan, reflections from some young patrons, and an evening taking in the music reveal the many meanings of love songs, and offer insight into the social and political climate of life in a post-war, unrecognized state.
  continue reading

38集单集

Artwork
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Manage episode 154262197 series 1118097
内容由Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology提供。所有播客内容(包括剧集、图形和播客描述)均由 Camthropod: The Cambridge Anthropology Podcast and Cambridge Anthropology 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Opened in 2014, Hiddo Dhawr is Somaliland’s first and only live music venue to operate since the 1988 civil war, which decimated the capital Hargeysa, and displaced the artistic community. In this episode, social anthropology PhD candidate Christina Woolner visits Hiddo Dhawr – which specializes in the performance of acoustic music popular before the war – to explore what it means to sing, and particularly about love, in contemporary Hargeysa. Conversations with the venue’s founder Sahra Halgan, reflections from some young patrons, and an evening taking in the music reveal the many meanings of love songs, and offer insight into the social and political climate of life in a post-war, unrecognized state.
  continue reading

38集单集

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