Artwork

内容由Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC)提供。所有播客内容(包括剧集、图形和播客描述)均由 Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Lunch | Ivana Ilic + Jasna Veličković "How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

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Manage episode 410824156 series 2538953
内容由Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC)提供。所有播客内容(包括剧集、图形和播客描述)均由 Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Ivana Ilic | Music Theory, Emory University
Jasna Veličković | Composer and Performer

"How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

What happens when the electromagnetic signal is not only deliberately made audible, but also exploited with a specifically musical aim? In this presentation, I investigate the distinctively musical use of electromagnetism in art from the 1960s until the present day. The two case studies include the works by Christina Kubisch (b. 1948) and Jasna Veličković (b. 1974). While the two artists share a commitment to a modernist quest for new sounds, they investigate the musical capacities of the electromagnetic field in distinctive ways. Kubisch operates primarily as a sound artist, within the audio-visual realm. Her installations include induction coils whose sounds are picked up by the visitors through specially designed headphones. The “musicality” of those works arises from the visitors’ movement within the exhibition space and appears as a completely individual and internalized event. As a composer, she also “finds” music in the sounding of electromagnetic fields that she explores in various places throughout the world. Veličković works from a predominantly auditory perspective. Her unambiguously musical creative process assumes both the compositional application of interference and its inclusion in a purposefully musical performance. The two artists’ approaches meet in an embodied reality of an intense and unique musical experience.

If you would like to become an AFFILIATE of the Center, please let us know.

Follow along with us on Instagram | Threads | Facebook

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293集单集

Artwork
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Manage episode 410824156 series 2538953
内容由Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC)提供。所有播客内容(包括剧集、图形和播客描述)均由 Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Ivana Ilic | Music Theory, Emory University
Jasna Veličković | Composer and Performer

"How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

What happens when the electromagnetic signal is not only deliberately made audible, but also exploited with a specifically musical aim? In this presentation, I investigate the distinctively musical use of electromagnetism in art from the 1960s until the present day. The two case studies include the works by Christina Kubisch (b. 1948) and Jasna Veličković (b. 1974). While the two artists share a commitment to a modernist quest for new sounds, they investigate the musical capacities of the electromagnetic field in distinctive ways. Kubisch operates primarily as a sound artist, within the audio-visual realm. Her installations include induction coils whose sounds are picked up by the visitors through specially designed headphones. The “musicality” of those works arises from the visitors’ movement within the exhibition space and appears as a completely individual and internalized event. As a composer, she also “finds” music in the sounding of electromagnetic fields that she explores in various places throughout the world. Veličković works from a predominantly auditory perspective. Her unambiguously musical creative process assumes both the compositional application of interference and its inclusion in a purposefully musical performance. The two artists’ approaches meet in an embodied reality of an intense and unique musical experience.

If you would like to become an AFFILIATE of the Center, please let us know.

Follow along with us on Instagram | Threads | Facebook

  continue reading

293集单集

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