In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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内容由Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell提供。所有播客内容（包括剧集、图形和播客描述）均由 Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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Episode 211 – We Do Our Own Stunts – Dragon Lord (1982)
Manage episode 404574907 series 2865846
内容由Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell提供。所有播客内容（包括剧集、图形和播客描述）均由 Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
After a less-then-fruitful experience in the US (filming THE BIG BRAWL and THE CANNONBALL RUN), Jackie returned to Hong Kong with a blank check from Golden Harvest and a chip on his shoulder. The result was plenty of bumps, bruises and 1982's DRAGON LORD, which serves as a transitionary period between the old-school kung fu films of his past and the stunt-heavy films (with higher production value) that would define his work in the 1980s. In this episode of WE DO OUR OWN STUNTS we break down the good and bad of DRAGON LORD, its two cuts, and the two bravura sequences within. LISTEN!
The post Episode 211 – We Do Our Own Stunts – Dragon Lord (1982) first appeared on Cinema Smorgasbord.
227集单集
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Manage episode 404574907 series 2865846
内容由Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell提供。所有播客内容（包括剧集、图形和播客描述）均由 Doug Tilley & Liam O'Donnell, Doug Tilley, and Liam O'Donnell 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
After a less-then-fruitful experience in the US (filming THE BIG BRAWL and THE CANNONBALL RUN), Jackie returned to Hong Kong with a blank check from Golden Harvest and a chip on his shoulder. The result was plenty of bumps, bruises and 1982's DRAGON LORD, which serves as a transitionary period between the old-school kung fu films of his past and the stunt-heavy films (with higher production value) that would define his work in the 1980s. In this episode of WE DO OUR OWN STUNTS we break down the good and bad of DRAGON LORD, its two cuts, and the two bravura sequences within. LISTEN!
The post Episode 211 – We Do Our Own Stunts – Dragon Lord (1982) first appeared on Cinema Smorgasbord.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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