In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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内容由Eavesdropping at the Movies, Jose Arroyo, and Michael Glass提供。所有播客内容(包括剧集、图形和播客描述)均由 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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400 - The Nun II and The Exorcist: Believer
Manage episode 379405397 series 1952570
内容由Eavesdropping at the Movies, Jose Arroyo, and Michael Glass提供。所有播客内容(包括剧集、图形和播客描述)均由 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
For our 400th episode we indulge in a pair of horror sequels, both heavy on faith, possession, and Christianity. One is part of a modern universe of interconnected stories, characters, and demons, the other represents the reignition of a series whose sequels have been produced intermittently for fifty years without receiving anything like the acclaim of the film that spawned them. The Nun II is the eighth film in the ten-year-old Conjuring Universe; The Exorcist: Believer is only the sixth Exorcist film in half a century. Truly, they don't make them like they used to. Neither film in this double bill is very good in totality, but The Nun II contains imaginative and effective set pieces and visual ideas, while The Exorcist: Believer is content to discard a reasonably interesting first act in favour of useless and charmless reference to, and pathetic reenactment of, William Friedkin's 1973 original. We discuss what we think the films are about, wittingly or otherwise - horror is commonly understood to often allegorise and express the ills and worries of the societies that produce them, and we consider the ways in which these films might be doing so. And there's much to compare and contrast between them, including their characters' attitudes to the supernatural; the ways in which religion, be it Catholicism specifically or Christianity more generally, plays into their stories and atmospheres; and the kinds of imagery through which they attempt to instil fear in their audiences. And we take time to criticise many, many examples of the weakness of the storytelling in Believer. The Nun II, like its 2018 predecessor, is not very good, but it is fun. The Exorcist: Believer is neither good nor fun. Happy 400th episode! Recorded on 9th October 2023.
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436集单集
Manage episode 379405397 series 1952570
内容由Eavesdropping at the Movies, Jose Arroyo, and Michael Glass提供。所有播客内容(包括剧集、图形和播客描述)均由 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
For our 400th episode we indulge in a pair of horror sequels, both heavy on faith, possession, and Christianity. One is part of a modern universe of interconnected stories, characters, and demons, the other represents the reignition of a series whose sequels have been produced intermittently for fifty years without receiving anything like the acclaim of the film that spawned them. The Nun II is the eighth film in the ten-year-old Conjuring Universe; The Exorcist: Believer is only the sixth Exorcist film in half a century. Truly, they don't make them like they used to. Neither film in this double bill is very good in totality, but The Nun II contains imaginative and effective set pieces and visual ideas, while The Exorcist: Believer is content to discard a reasonably interesting first act in favour of useless and charmless reference to, and pathetic reenactment of, William Friedkin's 1973 original. We discuss what we think the films are about, wittingly or otherwise - horror is commonly understood to often allegorise and express the ills and worries of the societies that produce them, and we consider the ways in which these films might be doing so. And there's much to compare and contrast between them, including their characters' attitudes to the supernatural; the ways in which religion, be it Catholicism specifically or Christianity more generally, plays into their stories and atmospheres; and the kinds of imagery through which they attempt to instil fear in their audiences. And we take time to criticise many, many examples of the weakness of the storytelling in Believer. The Nun II, like its 2018 predecessor, is not very good, but it is fun. The Exorcist: Believer is neither good nor fun. Happy 400th episode! Recorded on 9th October 2023.
…
continue reading
436集单集
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