In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Player (1992) Versus Once Upon a Time in Hollywood (2019)
Manage episode 421539880 series 3459489
内容由Film Versus Film提供。所有播客内容(包括剧集、图形和播客描述)均由 Film Versus Film 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Today we’re going behind the scenes of movie-making, with two films that lift the veil on the Hollywood studio system. Both films have a happy ending, even if they shouldn’t have. That’s right, today we’re talking about Robert Altman’s The Player and Quentin Tarantino’s Once Upon a Time in Hollywood.
66集单集
Manage episode 421539880 series 3459489
内容由Film Versus Film提供。所有播客内容(包括剧集、图形和播客描述)均由 Film Versus Film 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Today we’re going behind the scenes of movie-making, with two films that lift the veil on the Hollywood studio system. Both films have a happy ending, even if they shouldn’t have. That’s right, today we’re talking about Robert Altman’s The Player and Quentin Tarantino’s Once Upon a Time in Hollywood.
66集单集
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