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119: Art & Artifice Part I: The Long Leash
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Episode 119: Part 1 of 2. Throughout the 1950s, the CIA, through a number of secret fronts, provided funding and publicity for abstract modern art in the United States. Jackson Pollock and Mark Rothko became arrows in the Cold War quiver, as the Agency turned them, and scores of other modern artists into unwitting agents of American propaganda. How and why did the CIA accomplish this, and what does it mean for the relationship between modernism and politics?
Twitter: Link
Patreon: Link
Shirts and more: Link
Sources and Further Reading
How MoMA and the CIA Conspired to Use Unwitting Artists to Promote American Propaganda During the Cold War: Link
Art For Art’s Sake: Link
Modern art was CIA 'weapon': Link
How the CIA Secretly Used Jackson Pollock to Fight the Cold War: Link
The New American Painting, 1959: Link
The new American painting, as shown in eight European countries, 1958-1959: Link
An Era-Defining 1930s Mural of American Excess and Industry Is Revived: Link
Dickstein, Morris. Dancing in the dark: A cultural history of the Great Depression. WW Norton & Company, 2009.
Alfred Barr, ‘Introduction’, in The New American Painting, 1959: Link
The CIA and the Cultural Cold War Revisited: Link
102集单集
Fetch error
Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on December 08, 2023 05:12 ()
What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.
Manage episode 304260139 series 2273813
Episode 119: Part 1 of 2. Throughout the 1950s, the CIA, through a number of secret fronts, provided funding and publicity for abstract modern art in the United States. Jackson Pollock and Mark Rothko became arrows in the Cold War quiver, as the Agency turned them, and scores of other modern artists into unwitting agents of American propaganda. How and why did the CIA accomplish this, and what does it mean for the relationship between modernism and politics?
Twitter: Link
Patreon: Link
Shirts and more: Link
Sources and Further Reading
How MoMA and the CIA Conspired to Use Unwitting Artists to Promote American Propaganda During the Cold War: Link
Art For Art’s Sake: Link
Modern art was CIA 'weapon': Link
How the CIA Secretly Used Jackson Pollock to Fight the Cold War: Link
The New American Painting, 1959: Link
The new American painting, as shown in eight European countries, 1958-1959: Link
An Era-Defining 1930s Mural of American Excess and Industry Is Revived: Link
Dickstein, Morris. Dancing in the dark: A cultural history of the Great Depression. WW Norton & Company, 2009.
Alfred Barr, ‘Introduction’, in The New American Painting, 1959: Link
The CIA and the Cultural Cold War Revisited: Link
102集单集
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