IFH 511: Can You Make Money with Short Films? (Vidiverse) with Alex Proyas

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由Player FM以及我们的用户群所搜索的IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business — 版权由出版商所拥有,而不是Player FM,音频直接从出版商的伺服器串流. 点击订阅按钮以查看Player FM更新,或粘贴收取点链接到其他播客应用程序里。
I am excited to have back on the show legendary writer, director Alex Proyas. The last time he was here, we discussed his career, working within the studio system, dealing with insane interference in his creative vision, why he was shooting short films. At the time, his movie, The Heretic Foundation, and his misadventures in Hollyweird had just been released. I've been following all the cool stuff he's been working on social media, his shorts, etc. I'm thrilled for him. It's nice seeing an artist creating and not waiting for someone to permit them to make. For those of you who are not familiar with Alex Proyas's work, he is the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, iRobot, and Mask of the Evil Apparition. iRobot was directed by Proyas, written by Akiva Goldsman and Jeff Vintar. The 2004 Box Office $346 million grossed film received mixed reviews. It starred Will Smith and was a technophobic cop in 2035 who went on to investigate a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity. Today, we are talking more about his new streaming platform VIDIVERSE. I really wanted to promote what you're doing because I know it's coming from a great place. I need to promote what you're doing because I know it's coming from a great place. VIDIVERSE is a new streaming platform that offers a non-exclusive destination for streaming curated content of all kinds. In time, the platform will partner with creators to help produce content. Most independent filmmakers are getting away from Youtube, and that was the inspiration behind Proyas's VIDIVERSE. YouTube seems to have developed stricter policies about who derives any income from content. Even though a few people manage overtime to beat the algorithm, most creators get very few views. Independent creators to continue building through the platform. Vimeo, and others that similarly target filmmakers ease the streaming challenge. Still, there's nothing between those two ends of the spectrum because YouTube seems to soak it all up through advertising. So, someone like Proyas, who has moved effortlessly between helming TV commercials and music videos to feature films, understands the demand for more targeted platforms and fair revenue distribution models. This is what he intends to develop with VIDIVERSE. Alex also gave us an EXCLUSIVE UPDATE on the development of his Dark City streaming series. This was a fun conversation. Please enjoy our guest, Alex Proyas.

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