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Discovery, Deliberation, Decision, and Driving Action - Playwright's Spotlight with Matt Williams

1:28:06
 
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Manage episode 355988356 series 3300254
内容由James Elden提供。所有播客内容(包括剧集、图形和播客描述)均由 James Elden 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Send us a text

90 minutes of brilliant insight. The amount of real estate this episode with Matt Williams covers couldn't be covered in a set of Time Life books. Matt provides so much knowledge, it was hard to know when to stop and move on to the next question. In this chat we cover learning playwriting from dramaturgical books opposed to those focused on actual playwriting, driving action vs inciting incidents, achieving simplicity through elimination, embodying character through action, bad feedback and notes, the trap of directing your own work, and when to pull the plug when someone else is in the driver's seat. We also discuss how to make your play director proof, developing a writing routine, trusting actors and directors, putting vibrance on the page, the point of view character and the protagonist, beginning and ending a scene and so much more. I'd be hard-pressed to believe any playwright won't walk away with a treasure trove of goodness from what Matt brings to the table. As always, ENJOY!
Matt Williams has worked in theater, film and television as a writer, director, and producer. In pursuit of his passion to see children succeed, Williams recently formed the Laughing Angels Foundation, a non-profit organization dedicated to helping children around the world by creating stories that celebrate the human spirit. He also serves on the board at the Cherry Lane Theatre, a resident non-profit theatre founded by his wife, Angelina Fiordellisi. Playwriting credits include Fear, Actually, We’re F*cked, Bruce Lee Is Dead and I’m Not Feeling Too Good Either, Jason and the Nun, and Between Daylight and Boonville.
To view the video format of this episode, visit the link below -
https://youtu.be/6xwnYokPgV0
Links to sites and resources mentioned in this episode -
New Play Exchange -
https://newplayexchange.org/users/37356/matt-williams
Samuel French -
https://www.concordtheatricals.com/a/4946/matt-williams
Cherry Lane Theatre -
https://www.cherrylanetheatre.org
Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

84集单集

Artwork
icon分享
 
Manage episode 355988356 series 3300254
内容由James Elden提供。所有播客内容(包括剧集、图形和播客描述)均由 James Elden 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Send us a text

90 minutes of brilliant insight. The amount of real estate this episode with Matt Williams covers couldn't be covered in a set of Time Life books. Matt provides so much knowledge, it was hard to know when to stop and move on to the next question. In this chat we cover learning playwriting from dramaturgical books opposed to those focused on actual playwriting, driving action vs inciting incidents, achieving simplicity through elimination, embodying character through action, bad feedback and notes, the trap of directing your own work, and when to pull the plug when someone else is in the driver's seat. We also discuss how to make your play director proof, developing a writing routine, trusting actors and directors, putting vibrance on the page, the point of view character and the protagonist, beginning and ending a scene and so much more. I'd be hard-pressed to believe any playwright won't walk away with a treasure trove of goodness from what Matt brings to the table. As always, ENJOY!
Matt Williams has worked in theater, film and television as a writer, director, and producer. In pursuit of his passion to see children succeed, Williams recently formed the Laughing Angels Foundation, a non-profit organization dedicated to helping children around the world by creating stories that celebrate the human spirit. He also serves on the board at the Cherry Lane Theatre, a resident non-profit theatre founded by his wife, Angelina Fiordellisi. Playwriting credits include Fear, Actually, We’re F*cked, Bruce Lee Is Dead and I’m Not Feeling Too Good Either, Jason and the Nun, and Between Daylight and Boonville.
To view the video format of this episode, visit the link below -
https://youtu.be/6xwnYokPgV0
Links to sites and resources mentioned in this episode -
New Play Exchange -
https://newplayexchange.org/users/37356/matt-williams
Samuel French -
https://www.concordtheatricals.com/a/4946/matt-williams
Cherry Lane Theatre -
https://www.cherrylanetheatre.org
Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

84集单集

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