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Prize Money vs Publication, Avoiding Scams, and the Effects of Changing Location - Playwright's Spotlight with Nick Amatuzio

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Manage episode 452098965 series 3300254
内容由James Elden提供。所有播客内容(包括剧集、图形和播客描述)均由 James Elden 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Send us a text

Before I get in to the breakdown of this episode, I have to correct a few things that are bit embarrassing for one hosting a playwriting podcast. 1) Black Comedy was written by Peter Schaefer (Black Comedy, Equis, Amadeus). 2) After "Matisse" is actually After Magritte and was indeed written by Tom Stoppard that was attributer to Black Comedy in this episode. I'm still trying to find the title of the one-act about the burning building. Update to come.
Playwright Nick Amatuzio beamed into Playwright's Spotlight after a last minute cancellation. Nick is a former PLAY Noir submitter who is long overdue for a chat. Four seasons in, we discuss the evolution of a play through editing, avoiding scams, monetary prizes vs production, shopping for publication, expanding on historical characters and cannon, when to edit, and what a character doesn't say. We also touch on setup vs response in comedy, struggles in playwriting, the benefits of simplicity, writing farce, and the effects of changing location. As all episodes land, there is always something new to learn no matter how novice or established a playwright may be. I promise you will walk away with some nugget of insight with this latest episode. Thanks for a great start to a fourth season. Enjoy!
Nick Amatuzio is a Smith Falls, Ontario based playwright, screenwriter, and author. His plays The American Way and Seein’ is Believin’ are both available at Off the Wall Plays, and his plays Before the Cut, Brush with the Law, Mick's Last Line & Melody's Last Line are available at Stage Write Plays.
To watch the video format of this episode, visit -
https://youtu.be/qK91kRjP7f4
Links to resources mentioned in this episode -
Off the Wall Plays -
https://offthewallplays.com
Stage-Write Plays -
https://stage-write.com.au
Writer Beware -
https://writerbeware.blog
Freefall Writing -
https://freefallwriting.com
Website and Socials for Nick Amatuzio -
Facebook -
https://www.facebook.com/nick.amatuzio
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html
James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

82集单集

Artwork
icon分享
 
Manage episode 452098965 series 3300254
内容由James Elden提供。所有播客内容(包括剧集、图形和播客描述)均由 James Elden 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Send us a text

Before I get in to the breakdown of this episode, I have to correct a few things that are bit embarrassing for one hosting a playwriting podcast. 1) Black Comedy was written by Peter Schaefer (Black Comedy, Equis, Amadeus). 2) After "Matisse" is actually After Magritte and was indeed written by Tom Stoppard that was attributer to Black Comedy in this episode. I'm still trying to find the title of the one-act about the burning building. Update to come.
Playwright Nick Amatuzio beamed into Playwright's Spotlight after a last minute cancellation. Nick is a former PLAY Noir submitter who is long overdue for a chat. Four seasons in, we discuss the evolution of a play through editing, avoiding scams, monetary prizes vs production, shopping for publication, expanding on historical characters and cannon, when to edit, and what a character doesn't say. We also touch on setup vs response in comedy, struggles in playwriting, the benefits of simplicity, writing farce, and the effects of changing location. As all episodes land, there is always something new to learn no matter how novice or established a playwright may be. I promise you will walk away with some nugget of insight with this latest episode. Thanks for a great start to a fourth season. Enjoy!
Nick Amatuzio is a Smith Falls, Ontario based playwright, screenwriter, and author. His plays The American Way and Seein’ is Believin’ are both available at Off the Wall Plays, and his plays Before the Cut, Brush with the Law, Mick's Last Line & Melody's Last Line are available at Stage Write Plays.
To watch the video format of this episode, visit -
https://youtu.be/qK91kRjP7f4
Links to resources mentioned in this episode -
Off the Wall Plays -
https://offthewallplays.com
Stage-Write Plays -
https://stage-write.com.au
Writer Beware -
https://writerbeware.blog
Freefall Writing -
https://freefallwriting.com
Website and Socials for Nick Amatuzio -
Facebook -
https://www.facebook.com/nick.amatuzio
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html
James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

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