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内容由Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson提供。所有播客内容(包括剧集、图形和播客描述)均由 Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Satan Goes Mainstream: The Exorcist (1973) and The Exorcist: Believer (2023)

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Manage episode 379751054 series 3477755
内容由Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson提供。所有播客内容(包括剧集、图形和播客描述)均由 Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

When we found out that the 70s classic The Exorcist was to be the latest victim in Hollywood’s obsession with Legacy Sequels, a terrifying truth became all too clear: we would have to cover BOTH films on the podcast. This week your hosts braved the original William Friedkin film; widely considered to be a genre-defining work that changed the future of cinema, and the newly released The Exorcist: Believer by David Gordon Green which…is…also a movie! Topics include: the two films' respective views on religion, William Friedkin’s questionable tactics as director, and Ellen Burstyn’s iconic haircut.

  continue reading

26集单集

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Manage episode 379751054 series 3477755
内容由Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson提供。所有播客内容(包括剧集、图形和播客描述)均由 Sam Ludwig and Alana Gibson, Sam Ludwig, and Alana Gibson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

When we found out that the 70s classic The Exorcist was to be the latest victim in Hollywood’s obsession with Legacy Sequels, a terrifying truth became all too clear: we would have to cover BOTH films on the podcast. This week your hosts braved the original William Friedkin film; widely considered to be a genre-defining work that changed the future of cinema, and the newly released The Exorcist: Believer by David Gordon Green which…is…also a movie! Topics include: the two films' respective views on religion, William Friedkin’s questionable tactics as director, and Ellen Burstyn’s iconic haircut.

  continue reading

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