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Authors Meet Critics: “Terracene: A Crude Aesthetics,” Salar Mameni

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Manage episode 410739349 series 3485757
内容由Social Science Matrix提供。所有播客内容(包括剧集、图形和播客描述)均由 Social Science Matrix 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Recorded on March 4, 2024, this Authors Meet Critics panel focused on Terracene: A Crude Aesthetics, by Professor Salar Mameni, Assistant Professor in UC Berkeley’s Department of Ethnic Studies. Professor Mameni was joined by Mayanthi Fernando, Associate Professor of Anthropology at UC Santa Cruz; Sugata Ray, Associate Professor of South and Southeast Asian Art and Architecture in the Departments of History of Art and South & Southeast Asian Studies at UC Berkeley; and Stefania Pandolfo, Professor of Anthropology at UC Berkeley.

The panel was co-sponsored by the Program in Critical Theory, the Art Research Center, the Center for Race and Gender, the Center for the Study of Sexual Culture, the Department of Art History, the Department of Ethnic Studies, the South Asia Art Initiative at the Institute for South Asia Studies, and the Environmental Arts and Humanities Initiative.

About the Book

In Terracene, Professor Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.

A transcript of this event is available at https://matrix.berkeley.edu/research-article/terracene
  continue reading

70集单集

Artwork
icon分享
 
Manage episode 410739349 series 3485757
内容由Social Science Matrix提供。所有播客内容(包括剧集、图形和播客描述)均由 Social Science Matrix 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Recorded on March 4, 2024, this Authors Meet Critics panel focused on Terracene: A Crude Aesthetics, by Professor Salar Mameni, Assistant Professor in UC Berkeley’s Department of Ethnic Studies. Professor Mameni was joined by Mayanthi Fernando, Associate Professor of Anthropology at UC Santa Cruz; Sugata Ray, Associate Professor of South and Southeast Asian Art and Architecture in the Departments of History of Art and South & Southeast Asian Studies at UC Berkeley; and Stefania Pandolfo, Professor of Anthropology at UC Berkeley.

The panel was co-sponsored by the Program in Critical Theory, the Art Research Center, the Center for Race and Gender, the Center for the Study of Sexual Culture, the Department of Art History, the Department of Ethnic Studies, the South Asia Art Initiative at the Institute for South Asia Studies, and the Environmental Arts and Humanities Initiative.

About the Book

In Terracene, Professor Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.

A transcript of this event is available at https://matrix.berkeley.edu/research-article/terracene
  continue reading

70集单集

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