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126: Progressive Nostalgia?

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Manage episode 357470055 series 1437771
内容由Trek.fm提供。所有播客内容(包括剧集、图形和播客描述)均由 Trek.fm 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Music in Star Trek

From Alexander Courage’s “bright galactic beguine” in The Original Series to Jeff Russo’s churning, Game of Thrones-style theme for Discovery, the music of Star Trek has always embodied the spirit of its time, as much as it looks to the future. Rick Berman famously sacked composer Ron Jones from The Next Generation because he felt his scores drew too much attention to themselves. In his mind, the underscore should be a kind of wallpaper, as unobtrusive as the soft pastel carpet stuck to the walls of the Enterprise-D. And yet the music of Star Trek—in particular the film scores by Jerry Goldsmith, James Horner, and others—has become an iconic part of the franchise’s cultural legacy, and of popular culture more broadly.

In this episode of Primitive Culture, host Duncan Barrett is joined by musicologists Jessica Getman and Evan Ware. Together with Brooke McCorkle Okazaki, they are the editors of the recently published Music in Star Trek: Sound, Utopia, and the Future. Here, they share some key observations from the 15 essays collected in their book, as well as consider the future of the Star Trek franchise—in music and beyond.

Chapters Intro (00:00:00) Blue Skies Thinking (00:09:15) Beware the Borg Fugue (00:17:00) Losing Faith … (00:24:45) Course Correction (00:37:20) Scoring the Sausage (00:49:50)

Host Duncan Barrett

Guests Jessica Getman and Evan Ware

Production Duncan Barrett (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer)

  continue reading

129集单集

Artwork
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Manage episode 357470055 series 1437771
内容由Trek.fm提供。所有播客内容(包括剧集、图形和播客描述)均由 Trek.fm 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Music in Star Trek

From Alexander Courage’s “bright galactic beguine” in The Original Series to Jeff Russo’s churning, Game of Thrones-style theme for Discovery, the music of Star Trek has always embodied the spirit of its time, as much as it looks to the future. Rick Berman famously sacked composer Ron Jones from The Next Generation because he felt his scores drew too much attention to themselves. In his mind, the underscore should be a kind of wallpaper, as unobtrusive as the soft pastel carpet stuck to the walls of the Enterprise-D. And yet the music of Star Trek—in particular the film scores by Jerry Goldsmith, James Horner, and others—has become an iconic part of the franchise’s cultural legacy, and of popular culture more broadly.

In this episode of Primitive Culture, host Duncan Barrett is joined by musicologists Jessica Getman and Evan Ware. Together with Brooke McCorkle Okazaki, they are the editors of the recently published Music in Star Trek: Sound, Utopia, and the Future. Here, they share some key observations from the 15 essays collected in their book, as well as consider the future of the Star Trek franchise—in music and beyond.

Chapters Intro (00:00:00) Blue Skies Thinking (00:09:15) Beware the Borg Fugue (00:17:00) Losing Faith … (00:24:45) Course Correction (00:37:20) Scoring the Sausage (00:49:50)

Host Duncan Barrett

Guests Jessica Getman and Evan Ware

Production Duncan Barrett (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer)

  continue reading

129集单集

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