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Season 8, Ep. 2: Nam June Paik

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内容由Saturday School Podcast提供。所有播客内容(包括剧集、图形和播客描述)均由 Saturday School Podcast 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For Saturday School Season 8, we are exploring Asian American sci-fi films. In this episode we explore the genre's prehistory, diving into the robots, Buddha livestreams, and fantastic futures of video artist Nam June Paik. We took a field trip up to SFMOMA, which is presenting a massive retrospective of Paik's work, on display until October 3.

Paik is considered the pioneer of video art, and is credited with coining the term "electronic superhighway" in 1974, basically predicting the internet. So for episode 2, we get lost in his vision of a technological future. He was all about breaking down barriers between low art and high art, bringing sexuality and shenanigans into classical music, and stitching together the real and the virtual, leading to such oddities as TV cellos, TV bras, TV glasses, TV chairs and TV gardens. As a Korean educated in Japan and Germany before coming to the U.S., he also resisted labels of nationality and proposed through his art a more utopic global vision of the future.

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Artwork

Season 8, Ep. 2: Nam June Paik

Saturday School Podcast

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Manage episode 301053601 series 1260100
内容由Saturday School Podcast提供。所有播客内容(包括剧集、图形和播客描述)均由 Saturday School Podcast 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For Saturday School Season 8, we are exploring Asian American sci-fi films. In this episode we explore the genre's prehistory, diving into the robots, Buddha livestreams, and fantastic futures of video artist Nam June Paik. We took a field trip up to SFMOMA, which is presenting a massive retrospective of Paik's work, on display until October 3.

Paik is considered the pioneer of video art, and is credited with coining the term "electronic superhighway" in 1974, basically predicting the internet. So for episode 2, we get lost in his vision of a technological future. He was all about breaking down barriers between low art and high art, bringing sexuality and shenanigans into classical music, and stitching together the real and the virtual, leading to such oddities as TV cellos, TV bras, TV glasses, TV chairs and TV gardens. As a Korean educated in Japan and Germany before coming to the U.S., he also resisted labels of nationality and proposed through his art a more utopic global vision of the future.

  continue reading

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