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Beau Is Afraid with Ari Aster

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Manage episode 396335670 series 2711077
内容由Script Apart提供。所有播客内容(包括剧集、图形和播客描述)均由 Script Apart 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

This week, we're joined by the great Ari Aster – one of the boldest and most enigmatic voices in American cinema right now. He’s a filmmaker that Al first met in May 2019. The New York-born writer-director’s debut horror, Hereditary, was a few months old at the time, and Ari was deep in the edit for Midsommar at the time. Al had been sent by Empire Magazine to write a profile that championed him as a new king of horror. Which made sense in the moment: Midsommar, his Wicker Man-esque follow-up to Hereditary, about a Swedish cult, promised more frights, more decapitations.
One problem, though. Ari rejected the idea of himself as a horror filmmaker. He kept emphasising to Al, in his quiet, charming way, that horror wasn’t where his heart was. At least, not exclusively. No, Ari longed to make a comedy. A comedy musical, if possible. What would a comedy musical by this filmmaker, best known for chilling audiences to the bone, look like? In 2023, we got our audience – the jaw-dropping Beau Is Afraid.
Starring Joaquin Phoenix, Beau Is Afraid is indeed a comedy. Its punchline just happens to speak to the existential treadmill-to-nowhere that life can sometimes resemble. It may not have songs to qualify it as a musical, but its case is populated by icons of musical theatre, known for their stage work (Nathan Lane, Richard Kind). Following a middle aged man on an Oedipal trip through an absurdist America en route to his mother’s funeral, the movie began life as a short film in 2011. In the spoiler conversation you’re about to hear, we get into what evolved from Ari’s initial vision for Beau, as the character made his way to the big-screen. We talk about how in early drafts, the orphans of the forest weren’t a theatre group but a cult – something Ari had to change when he realised his first two movies had dealt heavily with cults and he couldn’t go three-for-three. We also discuss the horror and hilarity of the monster in the attic and what the religious iconography of the movie represents in Beau’s journey.
It’s a riveting peek into the mind of a filmmaker out here making films unlike anyone else. We hope you enjoy.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, MUBI, Magic Mind, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.
Support the show


Hosted on Acast. See acast.com/privacy for more information.

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147集单集

Artwork

Beau Is Afraid with Ari Aster

Script Apart with Al Horner

182 subscribers

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Manage episode 396335670 series 2711077
内容由Script Apart提供。所有播客内容(包括剧集、图形和播客描述)均由 Script Apart 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

This week, we're joined by the great Ari Aster – one of the boldest and most enigmatic voices in American cinema right now. He’s a filmmaker that Al first met in May 2019. The New York-born writer-director’s debut horror, Hereditary, was a few months old at the time, and Ari was deep in the edit for Midsommar at the time. Al had been sent by Empire Magazine to write a profile that championed him as a new king of horror. Which made sense in the moment: Midsommar, his Wicker Man-esque follow-up to Hereditary, about a Swedish cult, promised more frights, more decapitations.
One problem, though. Ari rejected the idea of himself as a horror filmmaker. He kept emphasising to Al, in his quiet, charming way, that horror wasn’t where his heart was. At least, not exclusively. No, Ari longed to make a comedy. A comedy musical, if possible. What would a comedy musical by this filmmaker, best known for chilling audiences to the bone, look like? In 2023, we got our audience – the jaw-dropping Beau Is Afraid.
Starring Joaquin Phoenix, Beau Is Afraid is indeed a comedy. Its punchline just happens to speak to the existential treadmill-to-nowhere that life can sometimes resemble. It may not have songs to qualify it as a musical, but its case is populated by icons of musical theatre, known for their stage work (Nathan Lane, Richard Kind). Following a middle aged man on an Oedipal trip through an absurdist America en route to his mother’s funeral, the movie began life as a short film in 2011. In the spoiler conversation you’re about to hear, we get into what evolved from Ari’s initial vision for Beau, as the character made his way to the big-screen. We talk about how in early drafts, the orphans of the forest weren’t a theatre group but a cult – something Ari had to change when he realised his first two movies had dealt heavily with cults and he couldn’t go three-for-three. We also discuss the horror and hilarity of the monster in the attic and what the religious iconography of the movie represents in Beau’s journey.
It’s a riveting peek into the mind of a filmmaker out here making films unlike anyone else. We hope you enjoy.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, MUBI, Magic Mind, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.
Support the show


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

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