In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Cube Critics discuss ‘Emilia Pérez’
Manage episode 451457019 series 1319307
内容由Minnesota Public Radio News and Minnesota Public Radio提供。所有播客内容(包括剧集、图形和播客描述)均由 Minnesota Public Radio News and Minnesota Public Radio 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
“Emilia Pérez” is a French film set in Mexico, shot largely on soundstages in France, blending elements of noir, musicals and occasional winking comedy.
The story follows a Mexican cartel boss (Karla Sofía Gascón) who transitions to living as a woman, with Zoe Saldaña playing the lawyer who helps her navigate the dangerous logistics of the operation and its aftermath.
Gascón, a trans actress, brings authenticity to a role treated with sincerity and compassion, while the film’s humor adds a cheeky charm.
The musical elements, though sporadic, are striking, showcasing Saldaña’s dance and theater background. Highlights include an operatic sing-talking style and a gun-loading choreography sequence, though the integration of music could have been more consistent.
This is an interesting moment for offbeat musicals (compare with 2021’s “Annette,” in which Adam Driver has a puppet as a child). Hopefully, as they mature they will get a firmer grasp on what makes musicals so powerful.
90集单集
Manage episode 451457019 series 1319307
内容由Minnesota Public Radio News and Minnesota Public Radio提供。所有播客内容(包括剧集、图形和播客描述)均由 Minnesota Public Radio News and Minnesota Public Radio 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
“Emilia Pérez” is a French film set in Mexico, shot largely on soundstages in France, blending elements of noir, musicals and occasional winking comedy.
The story follows a Mexican cartel boss (Karla Sofía Gascón) who transitions to living as a woman, with Zoe Saldaña playing the lawyer who helps her navigate the dangerous logistics of the operation and its aftermath.
Gascón, a trans actress, brings authenticity to a role treated with sincerity and compassion, while the film’s humor adds a cheeky charm.
The musical elements, though sporadic, are striking, showcasing Saldaña’s dance and theater background. Highlights include an operatic sing-talking style and a gun-loading choreography sequence, though the integration of music could have been more consistent.
This is an interesting moment for offbeat musicals (compare with 2021’s “Annette,” in which Adam Driver has a puppet as a child). Hopefully, as they mature they will get a firmer grasp on what makes musicals so powerful.
90集单集
所有剧集
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